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Friday Poem – ‘Talking in the Dark’, Christine Evans

Friday Poem Talking in the Dark Christine Evans

This week our Friday Poem is from Christine Evans’ sensitive collection, Growth Rings, which was shortlisted for Wales Book of the Year 2007.

Friday Poem Christine EvansThis collection from Christine Evans follows well-received ’Selected Poems’.  Hers is a persuasive voice, highly attuned to the vagries of the seasons, to the landscapes and inhabitants of the beautiful Llyn Peninsula in North Wales where the author has made her home.
As well as vibrant short lyrics on everything from ’Bluebells in Nanhoron’ to jets flying over Wales, there are a series of tender elegiac pieces on relatives, meditations on the last moments of Shelley and the fates of the Brontes, and a number of poems featuring the mysterious Island of Bardsey.

Talking In the Dark

Now the air is indigo with evening
together by the boathouse where we’ve sprawled
an hour or more, felt earth’s breath cooling,
we wake mind-echoes of ‘the real world’.
Night prompts us all to visions of tomorrow.

A subtle fullness, like a ripening field
contains us, names and knowledge weightless now.
The biosphere, Helen thinks, might still have the power
to heal pillage, maiming, poison. Protests fly:
excuse for doing nothing, weak, evasion.

Although we can’t agree what should be done
a tribal dignity begins to hover.
Shadows with eyes that hold the light, we are
communicators, not just talking faces.
First stars beckon in a deepening sky.

The universe accepts our hopeful voices
but sea demurs with one slow-hushing sigh.

 

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Friday Poem – ‘The Scarlet Lizard’, Caroline Smith

Friday Poem Caroline Smith

Last night saw us at Chapter, Cardiff, for July’s First Thursday event and among the readers was Caroline Smith with her new collection, The Immigration Handbook. This week we have a treat for you – you can listen to the Friday Poem being read by the author. Look below for the video, and accompanying poem text.

The Immigration Handbook Caroline SmithThe strikingly moving poems in Caroline Smith’s The Immigration Handbook are the fruit of the author’s career as an Immigration Caseworker for one of the most diverse inner-city areas in London. Her characters are careful composites of people she’s observed. They step vividly off the page, as if out of the headlines. Written over a period of years, as layered and infused with experience as the documents she discusses: letters folded and refolded, creased with time, Caroline Smith’s poems are a moving record of global people movement, the story of our time.

The Scarlet Lizard

Nothing moves
except the evening light
crossing the Judge’s room.
The lawyers’ skeleton arguments
lay piled on his desk.
They seemed to him brittle
as bleached poppies,
tapped of their seeds.

He longed to see the quick movement
of a scarlet lizard weaving unexpectedly
through the parched, cracked hexagons
of a legal phrase, to hear the snapped stick
fritter away from a hiding place;
to feel the cold, diaphanous weed grip
in the black current of a border crossing.

He needed to sense some quiver of
indecision, an odd detail
that would open the truth of their words;
chinks of light shining
through shuttered doors.

 

Buy your copy of The Immigration Handbook now from the Seren website: £9.99

Become a Book Club Member to claim 20% off.

 

 

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An extract from Boy Running | Wales Book of the Year shortlist

extract from Boy Running Wales Book of the Year

The winners of the Poetry, Non-Fiction and Fiction Categories, and the overall Wales Book of the Year Winner, will be announced in just two weeks. Seren have two titles in the running for the awards, and before we find out the results, we thought you might enjoy reading an extract from each of our nominated books. Look below and you’ll find an extract from Boy Running by Paul Henry (shortlisted for the Open University in Wales Creative Non-Fiction Award).

Studio Flat

Socks hang like bats from a skylight.
They may be dry in time for the moon.
The camp site owner’s water-feature
drains more blood from the sun.

Cars queue for the narrow bridge.
Birds catch their pulses and fly.
I am suddenly old. What’s an attic
but a bungalow in the sky.

And where are you, my sons?
I heard your voices in the bells
of snowdrops pulled by the wind.
These tulips have lost their smell.

Perhaps I could tell you, one day
where the snowdrops went, why old men
dry their socks on the moon, and what
darkened the skylight, just then.

 

Ring

I can’t get the ring out of my finger.
How long till it disappears
this ghost ring, twenty years deep?
I’m branded. Is it the same with you?
Your fingers were slenderer than mine.

 

We hope you enjoyed reading this free extract from Boy Running by Paul Henry. Keep an eye on the Seren blog, as we will be announcing the Wales Book of the Year Awards results in just over two weeks time.

About Boy Running:
Paul Henry has gained a reputation as one of of the best poets in the UK. Boy Running is his beautiful sixth collection and the first to follow  The Brittle Sea: New and Selected PoemsAlso a singer-songwriter, Henry is known for his precise lyricism, intimate tone and a cast of characters inspired (like Dylan Thomas) by his childhood by the sea in Aberystwyth, West Wales.

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Friday Poem – ‘All Day It Has Rained’, Alun Lewis

Friday Poem All Day It Has Rained Alun Lewis

On this day, one of the best-known English-language poets of the Second World War came into the world. Alun Lewis was born on 1 July 1915 in Cwmaman, Wales.

A year later, on 1 July 1916, the British Army would see its bloodiest day as The Battle of the Somme commenced, and over 57,000 British Soldiers became casualties on the first day alone.

Our Friday Poem this week is both in celebration of Alun Lewis’ birth, and in remembrance of all those who fought and died on the Somme.

Alun Lewis
Alun Lewis All Day It Has RainedSome critics see Lewis as the last of the great Romantic poets, a twentieth century Keats. Others view him as the bridge between pre-war poets like Auden and Yeats to post-war poets such as Hughes and Gunn. He was born and raised in Depression-struck south Wales and, following degrees in history at Aberystwyth and Manchester, became a teacher there. Early in 1940, despite his pacifist inclinations he enlisted and, after long periods of training, joined the war in India.

‘All Day It Has Rained’ was written whilst Lewis was stationed with the Royal Engineers at Longmoor, Hampshire. It is among the poems featured in Alun Lewis: Collected Poems.

All Day It Has Rained

All day it has rained, and we on the edge of the moors
Have sprawled in our bell-tents, moody and dull as boors,
Groundsheets and blankets spread on the muddy ground
And from the first grey wakening we have found
No refuge from the skirmishing fine rain
And the wind that made the canvas heave and flap
And the taut wet guy-ropes ravel out and snap.
All day the rain has glided, wave and mist and dream,
Drenching the gorse and heather, a gossamer stream
Too light to stir the acorns that suddenly
Snatched from their cups by the wild south-westerly
Pattered against the tent and our upturned dreaming faces.
And we stretched out, unbuttoning our braces,
Smoking a Woodbine, darning dirty socks,
Reading the Sunday papers – I saw a fox
And mentioned it in the note I scribbled home; –
And we talked of girls and dropping bombs on Rome,
And thought of the quiet dead and the loud celebrities
Exhorting us to slaughter, and the herded refugees:
Yet thought softly, morosely of them, and as indifferently
As of ourselves or those whom we
For years have loved, and will again
Tomorrow maybe love; but now it is the rain
Possesses us entirely, the twilight and the rain.

And I can remember nothing dearer or more to my heart
Than the children I watched in the woods on Saturday
Shaking down burning chestnuts for the schoolyard’s merry play,
Or the shaggy patient dog who followed me
By Sheet and Steep and up the wooded scree
To the Shoulder o’ Mutton where Edward Thomas brooded long
On death and beauty – till a bullet stopped his song.

 

Buy your copy of Alun lewis: Collected Poems from the Seren website. Become a Book Club Member to claim 20% off your order.

Want to see more Alun Lewis titles? Take a look at our website for biographies, short stories, poetry, and Lewis’ previously unpublished 1930’s novel, Morlais.

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Book Giveaway: A Boat Called Annalise

book giveaway a boat called annalise lynne hjelmgaard

You only have two days left to enter our A Boat Called Annalise book giveaway!A Boat Called Annalise Lynne Hjelmgaard

Enter now for the chance to win a copy of this beautiful new poetry collection.

To enter, simply sign up to the Seren newsletter before 1st July:
https://www.serenbooks.com/newsletter/signup

annalise giveaway june social media

 

About A Boat Called Annalise:
A Boat Called Annalise, Lynne Hjelmgaard’s new poetry collection, is wonderfully evocative of life on a sailboat: “Still, Annalise has that smell: slightly honeyed, rusty cans, soapy rags, brewed coffee, a whole cinnamon in a drawer”. The book recalls a journey this much-travelled author took on a sailboat to the Caribbean and back to Europe with her husband.

The winner of this giveaway will be chosen at random from all our email newsletter subscribers on 1st July 2016, so if you haven’t already, hurry and sign up for our newsletter before the end of the month if you want it to be you!

 

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An extract from Losing Israel | Wales Book of the Year shortlist

An extract from Losing Israel by Jasmine Donahaye Wales Book of the Year shortlist

The winners of the Poetry, Non-Fiction and Fiction Categories, and the overall Wales Book of the Year Winner, will be announced in just under a month. Seren have two titles in the running for the awards, and before we find out the results, we thought you might enjoy reading an extract from each of our nominated books. Look below and you’ll find an extract from Losing Israel by Jasmine Donahaye (shortlisted for the Open University in Wales Creative Non-Fiction Award).

1 – Motherland

It is the year of clogs and flared skirts, of shiny striped shirts with big collars, the year the PLO infiltrates by boat on the coast north of Tel Aviv and takes a bus-load of passengers hostage. It is spring, 1978 and I am ten years old. Security at El Al Airlines is high. I know the names Abu Nidal and Abu Jihad and Leila Khaled – Leila Khaled, that woman who is somehow not really a woman, but a terrorist.
Israel is an impression of barbed wire and rusting yellow warning signs on the beaches, the scent of orange blossom and the stink of sewage, hot nights and ruins – and a huge sprawling network of strangers who are relatives. It is my mother’s first return home after fifteen years of self-imposed exile, and it opens in me a wound I can never heal – a longing to come home to a place that can’t be home.
Now whenever I return, it is the long straight road through the valley to the kibbutz that catches at me – after Afula, that dusty way-station; after the last turnings, where it straightens out into the old Roman road that runs through the Jezreel Valley or the Plain of Esdraelon or Marj Ibn Amer, depending on your political orientation, or language, or biblical inclination. ‘The Ruler Road’ my mother called it, that first time we went back in 1978. The mass of Mount Gilboa rises on your right, and far off in the distance there’s a shimmering above the road where the border lies, some twenty kilometres away. Beyond it rise the Jordanian mountains, the mountains of Gilad or Gilead, after which my grand-father Yair named himself and my family – Hagiladi, a man of that place. On either side of the road stretch the fishponds, where you can see white-fronted blue and chestnut Smyrna kingfishers, and pied kingfishers and black-winged stilts; and then, looming up under Gilboa, the complex of the prison moves into sight, watchtowers and barbed wire topping the long external wall, which runs alongside the dusty road. A short distance beyond the prison a trilingual green metal sign points out the left turning to the kibbutz.
Through every return, the kibbutz lies like a magnet at the centre, exerting a force that pulls each journey into a curve inward to its core. Even now, after I have learned its other story, it exerts its pull. This is where my mother is from, and so I have always felt that this is in some way where I am from, too. No matter what I learn about its history, what I feel about its government’s acts, its citizens’ electoral choices, what I think about its political foundations and exclusions, Israel is inextricably caught up with my mother – my inaccessible, elusive mother, who left her community and her country, but inwardly never left, who carried her home all the years of my childhood not in a book, as some anti-Zionists will say the ‘true’ Jew does, but in the locked chamber of her heart.

 

We hope you enjoyed reading this free extract from Losing Israel by Jasmine Donahaye. Keep an eye on the Seren blog, because next week we will be publishing an extract from Paul Henry’s gorgeous poetry collection, Boy Running, which is shortlisted in the Wales Book of the Year, Roland Mathias Poetry Award category.

 

Losing IsraelAbout Losing Israel:
In Losing Israel the search for her family’s past and the part her forebears played in the newly created Israel reveals unsettling knowledge about kibbutzim and land clearances in northern Israel. Challenged by this new and unwonted information, Donahaye’s notion of history and her understanding of Israel, of her grandparents and of her identity is completely transformed.

Buy your copy now: £12.99 direct from the Seren website (sign up to be a Seren Book Club Member to claim 20% off)

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Friday Poem – Hunting For The Man With Huge Ear Lobes

friday poem peter finch zen cymru

This week our Friday Poem is taken from Peter Finch’s collection Zen Cymru.

zen cymru peter finchNot one for quiet meditations, Finch’s voice in Zen Cymru is: loud, bewildered, satirical, furious, sad, fearful and funny. This is a Wales that missed its revolution in ‘I Chew Gum and Think of Rifles’. This is a Wales beset by: rain, the ghosts of hard-drinking poets, of holy wells guarded by heifers, of sports crowds, Ikea, sheep, “enormous storm clouds”, and the ‘Entry of Christ Into Cardiff, 2005’.
Finch is a well-known performance poet and his poems have the immediacy and the dramatic impact of pieces conceived for the stage. Formal innovation is allied with themes that are resonant and deeply humane.

 

Hunting For The Man With Huge Ear Lobes

It’s difficult discussing Buddhism over
whiskey. It makes you laugh.
When you reach the tenets which
concern eternal suffering it’s hard.
I imagine my father here with me. I am
explaining reincarnation but he won’t
have any of it. I am no returned wood louse,
he insists. The bottle on the table
between us is going down at a terrific rate.

We aren’t anything, says my father,
any of us, and when we go it’s just
dark, you can’t figure it, can you?
He’s drunk, my father,
he waves his hands, this is how it is.

My father tells me alcohol is best consumed
lying down. Less chance of hurting
the living. We try this. His face still has that
lopsided look it had when I last saw him
flat-out in the morgue.

He is the greater vehicle, I am the lesser.
We drive on in the darkness looking for a
smiling man with huge ear lobes. He’ll
have the answer, I say. No, says my father,
breathing softly. No he won’t.

 
Buy your copy of Zen Cymru from our website. Sign up to be a Seren Book Club member to claim 20% off.

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Friday Poem – A Psalm for the Scaffolders

A Psalm for the Scaffolders Kim Moore The Art of Falling

This week’s Friday Poem – published on Father’s Day weekend – is from Kim Moore’s lively debut poetry collection, The Art of Falling.

Kim sets out her stall firmly in the North amongst ‘My People’: “who swear without knowing they are swearing… scaffolders and plasterers and shoemakers and carers…”. ‘A Psalm for the Scaffolders’ is a hymn for her father’s profession.

 

A Psalm for the Scaffolders
who balanced like tightrope walkers,
who could run up the bracing
faster than you or I could climb
a ladder, who wore red shorts
and worked bare-chested,
who cut their safety vests in half,
a psalm for the scaffolders
and their vans, their steel
toe-capped boots, their coffee mugs,
a psalm for those who learnt
to put up a scaffold standing
on just one board, a psalm
for the scaffolder who could put
a six-inch nail in a piece of wood
with just his palm, a psalm
for those who don’t like rules
or things taking too long, who now
mustn’t go to work uncovered,
who mustn’t cut their safety vests
or climb without ladders, who must
use three boards at all times,
a psalm for the scaffolders
who fall with a harness on,
who have ten minutes to be rescued,
a psalm for the scaffolder who fell
in a clear area, a tube giving way,
that long slow fall, a psalm for him,
who fell thirty feet and survived,
a psalm for the scaffolder
who saw him fall, a psalm for those
at the top of buildings, the wind whistling
in their ears, the sky in their voices,
for those who lift and carry
and shout and swear, for those
who can recite the lengths of boards
and tubes like a song, a psalm for them,
the ones who don’t like heights
but spent their whole life hiding it,
a psalm for those who work too long,
a psalm for my father, a psalm for him.

 

Buy your copy of The Art of Falling from our website. Sign up to be a Seren Book Club member to claim 20% off.

 

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Gloriously gothic book launch: Bethany W. Pope in Cardiff

Gloriously gothic book launch Bethany W Pope Cardiff

Join us for a night of gothic romance as Bethany W. Pope reads from Masque, her rich and psychological re-telling of Gaston Leroux’s classic, The Phantom of the Opera.

The event is at the new Octavo’s Book Cafe & Wine Bar in Cardif Bay, Wednesday 22 June, 5:00-7:00pm, and is free for all to attend.
Bring your friends, have a glass of something decadent, and listen to the story unfold.

Bethany W. Pope launch Cardiff

Tell us you’ll be there! Click ‘going’ on the Facebook event page or RSVP by email to: [email protected]

About Masque:
Masque is a richly gothic retelling of Gaston Leroux’s phantom of the opera story by debut novelist Bethany W Pope. Centre stage is promising young singer Christine, who, despite being devoted to her art, attracts the attention of both the Phantom (Erik), and rich Parisian theatre owner Raoul.

The intensely ambitious Christine finds herself caught between the twin evils of the Phantom’s murderous pursuit of artistic perfection and Raoul’s ‘romantic’ vision of her as a bourgeois wife. Her own desire to follow her operatic career becomes her guiding light, but none of the three leading characters can control the directions in which their passions lead them, while the beautiful masked skull of the opera house itself looms large over their respective fates. The resulting mix of love, rage, art and murderous intent, is explosive.

Love, lust, adventure, romance, and the monstrous nature of unfulfilled creativity await you here.

Everyone wears a mask. Look beneath it, if you dare.

 

 

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Friday Poem – Darling, Would You Please Pick up those Books?

friday poem kathryn maris god loves you

This week’s Friday Poem is one of Poetry Editor Amy Wack’s ‘favourite sestinas of all time’ and is taken from God Loves You by Kathryn Maris.

Friday Poem Kathryn Maris God Loves YouKathryn Maris borrows rhythms, vocabulary and themes from the Bible in this collection of poems. The result is more than artful parody, although a sly wit is in evidence. It is an approach that accommodates large themes, unravelling them in new ways.
The first section, ‘What will the neighbours think?, is a kaleidoscopic view of the sins and sinners of the modern city and opens, appropriately enough, with a vision of a flood to rival Noah’s. The poems feature domestic discord, gossip, suicide, celebrity and anxiety about the safety and behaviour of children and spouses. It says much about this poet’s meticulous poise and tone that we are lured into these scenarios with our sympathies fully engaged. The following sections subvert scripture more directly. A skilful use of form is characteristic, as in the sestina ‘Darling, Will You Please Pick up those Books?’ Other pieces are set out in the numbered style of psalms or parables but have an entirely contemporary edge.

 

Darling, Would You Please Pick up those Books?

How many times do I have to say
get rid of the books off the goddamn floor
do you have any idea how it feels
to step over books you wrote about her
bloody hell you sadist what kind of man
are you all day long those fucking books

in my way for 3 years your acclaimed books
tell me now what do you have to say
for yourself you think you’re such a man
silent brooding pondering at the floor
pretending you’re bored when I mention her
fine change the subject ask ‘Do I feel

like I need more medication’ NO I don’t feel
like I need more medication it’s the books
don’t you see don’t you see it’s her
why don’t you listen to anything I say
and for God’s sake books on the floor
are a safety hazard remember that man

from Cork who nearly died fine that man
fell over a hurley not a book but I don’t feel
you’re getting the point the point is that a floor
is not an intelligent place for books
books I have to see and books that say
exactly where and how you shagged her

what shirt she wore before you shagged her
I can write a book too about some man
better still about you I can say
something to demonize you how would you feel
about that ha ha why don’t I write a book
about how I hoover your sodding floor

and how you’ve never once hoovered your floor
why can’t I be a muse why can’t I be a ‘her’
what does one have to do to be in a book
around here do I have to be dead for a man
to write me a poem how do you think it feels
to be non-muse material can’t you say

you feel for me what you felt for her
can’t you say I’m better than that woman
can’t you get those books off the floor?

Buy your copy of God Loves You from our website. Sign up to be a Seren Book Club member to claim 20% off.