Posted on

May by Naomi Krüger longlisted for Not the Booker

The Guardian’s ‘Not the Booker’ longlist has just been revealed and Naomi Kruger’s debut novel, May, is one of 140 titles to be nominated. Also on the list are a number of books by fellow Welsh independent publishers: Ironopolis by Glen James Brown (Parthian), Ash by Alys Einion (Honno), Albi by Hilary Shepherd (Honno), and The Offline Project by Dan Tyte (Graffeg).
Voting is open for just one week – to vote, simply choose your two favourite books and leave a review in the comments section of the longlist announcement page (you have to have a Guardian account to do so). Please include the word ‘vote’ in your comment or it may not be counted. 
We wish the best of luck to Naomi, whose startling novel, with its sensitive depictions of dementia, heartbreak and loss, is truly unforgettable.
 
 

Posted on

An extract from Real Cardiff: The Flourishing City, by Peter Finch

Real Cardiff Peter Finch extract

Though certain parts may be seeing rain this weekend, the warm weather continues – and what better time than summer to explore all the UK has to offer?

Peter Finch Real Cardiff Flourishing CityOur Real Series – a collection of intimate and entertaining guide books written by local writers – offers an insider’s view of the places it celebrates. The most recent addition to the series is Real Cardiff: The Flourishing City by Cardiff author and legend Peter Finch. So whether you’re an armchair traveller, or someone looking forward to a trip to the Welsh Capital sometime soon, we hope you enjoy this glimpse into the history of Cardiff – specifically, the area in which famous children’s author Roald Dahl grew up.

The whole of the Real Series – and all our other Seren books – are 50% off until midnight, Sunday 29 July, on the Seren website.

 

ROALD DAHL’S CARDIFF NORTH LEY

I catch the train at Cardiff Central. This is the City Line which began in the city’s north east and now, after looping in a great U through the city’s heart is about to head north again. I’m in the two-car Sprinter and I’m standing. Every single seat is occupied by pupils from Bishop of Llandaff High School. Kids, bags, blazers, headphones, chewing.
The windows stream as the train steams. Around us is railway land, an industrial cityscape full of rail sheds, engine bays, carriage washeries, repair shops and assembled new track in stacks like a giant train set. This south west of the city on view from the tracks is the capital with its guard down. Backs of mosques, tottering streets, unkempt gardens, the yards of Brains brewery, warehouses stacked with building materials, and even more open and right now empty rail beds. It reminds me of London, how the land looks as you reach Paddington or Waterloo.
But it doesn’t last. After the carriages have disgorged a hundred uniformed school kids at Fairwater, the cuttings emerge, wooded banks and scrub masking the housing above. It’s leafy suburbia giving an impression of empty countryside. A green west Cardiff, a place that doesn’t change.
It’s freezing. This is January. The train has reached Radyr where it will rest a while before returning the way it came. I’m off, up the footbridge steps, plastered thickly with Network Rail road salt. No one but no one will slip and sue here. In a previous, smaller, steam-filled incarnation, the Radyr train would have served Roald Dahl’s father, Harald, who did a daily commute in to what was then called Bute Road Station. His ghost is there on the platform now, eye glasses, three-piece suit, white starched collar. He looks like a disapproving headmaster. His railway season ticket was found inside his expensive leather wallet when he died in 1920. That was on April the 11th. The ticket was valid until the 23rd.
Like most in Cardiff at this time Harald’s business was coal. With his partner Ludvig Aadnesen he had established a business as a colliery agent and provider of all that ships docking in the world’s leading coal port would need. Provisions, ropes, oil for their lamps, food. The profits flowed.
In 1917 Harald had bought Tŷ Mynydd (Mountain House), set on rising ground a mile north of the Radyr rail station. As befits the successful businessman Harald was, here was life on a grand scale. 150 acres of land, outbuildings, cottages, a piggery, lawns, formal flower borders, terraces, its own electricity generator and an enormous Victorian house.
In photographs it looks like part of Hogwarts. It had multiple chimney stacks, mock Tudor gables, a tiled roof larger than most churches’ and greenhouses to the side to rival those of Dyffryn House, to the west of Cardiff. This is the place Roald, the great author, remembers with nostalgia, recalling the fields full of shire horses and dairy cows. There are photographs of him as a four-year-old out on the lawns and terraces, in the fields among the sheaves of corn, sitting on the wall of the piggery and of the house itself, which is resplendently decorated with both the Union Jack and the Norwegian Flag. No Welsh dragon in sight.
Like Cefn Onn, Tŷ Mynydd also had railway connections. The house had been built in 1883 by George Fisher, Director of the Taff Vale Railway. When he died in 1891 the property passed to his son, H. Oakden Fisher, Chair of both the TVR and the Cardiff Gaslight and Coke Company Ltd, although his real interest lay with the military. He was Lieutenant Colonel of the Glamorgan Volunteer Artillery. Harald bought the estate in 1918. When he died in 1920, his second wife, Sofie Magdalene, moved to smaller premises back in Llandaff. Tŷ Mynydd then became the property of the architect Sir Beddoe Rees, MP and for a brief time in the 1930s was turned into St Maur’s College, a small private boarding school for girls.
In 1967 the house and most if its outbuildings were demolished. This was the first full-blooded rush at clearance following the war. Cardiff was expanding. Property developers had no interest in the preservation of inefficient, draughty piles such as Tŷ Mynydd. On its lands a whole housing estate could be build. It had to come down.
I take the road up out of the station’s gully. Already the old shunting yards and waste ground lining the river have been populated with high density brick town housing. There’s little public space. Most structures are distinct from each other, laid at angles as if thrown there like dice. Room for breath is restricted and corners are rounded. Access is on turning roads named after De Clare, Norman Lord of the City, Aradur Hen, an ancient local croft that gave us the name Radyr, and Goetre Fawr, the farm that once worked these lands. Behind the aptly named Junction Terrace is a field replete with three grazing llamas, tall-necked beasts which, despite the ll of their name, are about as common in Wales as kangaroos. Food To Go which has signs offering coffee and warmth is closed. I head up along rising Heol Isaf in the direction of the Village of Fire.
In 1841 the ten cottages of Pentre Poeth (Warm Village) were all that existed of what is now Morganstown, upper Radyr – that part of Cardiff north of the M4’s périphérique grip. This is where the workforce of the developing fire-filled ironworks at Pentyrch lived, an element of Cardiff’s lost industrial heritage. Heol Isaf was and still is the main road to Tŷ Mynydd. It’s no distance to cover. In my ears I’ve got Emmylou playing through the buds. 1970s country, when what she sang was the edge. Alabama down home. Dahl wouldn’t have stood for this. He preferred Beethoven.
The Tŷ Mynydd estate has been built on; the fields are gone. The line of the original entrance path running up from Tŷ Mynydd Lodge has been preserved in the rising bends of MaesYr Awel. The detached late-sixties houses along it turn eventually to a U-shaped cluster of apartment blocks. Cwrt Tŷ Mynydd is the appropriately named first; after that the developer gave up and resorted to names with a strong English resonance – Norfolk Court, York Court, Windsor. It’s a marketing thing. Here, near the eastern edge of Wales, where the language thins, the Anglo norm dominates.
Beyond the apartment courts, circled like a residential wagon train, there’s a copse, ancient pine trees, all that remains of what once was here. For the Dahls of the nineteen teens this would all now be virtually unrecognisable. A local walking his young daughter to the primary school at the former estate’s southern end tells me, yes, he knows about Dahl and the great house. He points me back towards the still extant Tŷ Mynydd Lodge which faces Heol Isaf. And there it is, the gatehouse preserved, doing time now as an up-market B&B. The Llandaff Society have installed a celebratory plaque above the front door. Over the years since Roald would have known it the building has been much extended. But there’s enough original left for the Dahlian spirit to soar. I can see him outside, short pants, laced leather shoes, hat, overcoat with enormous buttons. Mama holding his hand.

 

Real Cardiff: The Flourishing City is currently half price on the Seren website: £9.99 £4.99

Thinking of visiting cities elsewhere in the UK? Find the perfect insider’s guidebook to enrich your trip:

Poet Ian Spring overlays the current map of Glasgow with the map of his memory and experience.
‘Bard of Barnsley’ Ian McMillan delves into the past of the area of South Yorkshire in which he was born and still lives.
Poet Chris McCabe looks at the art, attractions and ‘oozy’ docklands history of this slice of London.
Novelist Clare Dudman explores her richly historic city as you won’t find it in other guidebooks.

 

 

 

 

 

 

 


See the full list of Real books on the Seren website: all half price until midnight, Sunday 29 July!

Posted on

Friday Poem – ‘I Am In Love With Myself People Say’, Marianne Burton

Marianne Burton Friday Poem Kierkegaard

Our Friday Poem this week is ‘I Am In Love With Myself People Say’, from Marianne Burton’s new collection, Kierkegaard’s Cupboard.

Did you know: all our books (including Marianne’s) are half price this week?  Take a peek at our website before the offer ends.

The life of Søren Kierkegard has inspired this new book of poems, in which Burton delves in to the extensive writings both by and about the influential Danish philosopher. Kierkegaard’s Cupboard is split into six sections, each section inspired by an aspect or event in Søren Kierkegaard’s life.
‘I Am In Love With Myself People Say’ takes inspiration from The Seducer’s Diary  – a fictional parallel to Kierkegaard’s failed relationship with his beloved Regine. Intending to make their broken engagement easier for Regine to bear, Kierkegaard portrays himself as the unworthy seducer to her fictional counterpart, Cordelia. In Burton’s poem we feel the full force of Johannes’ self-serving love: the sonnet form serving in defence of the speaker, rather than praise for its object.

 

I Am In Love With Myself People Say

 

 

 

 

 

 

 

 

 

 

 

Kierkegaard’s Cupboard is currently half price on the Seren Website: £9.99 £4.99

Half price offer ends midnight, Sunday 29 July.

 

 

Posted on

An extract from Larkinland by Jonathan Tulloch

Extract Larkinland Jonathan Tulloch

Larkinland Jonathan TullochJonathan Tulloch’s remarkable Larkinland is a novel which expertly and minutely captures the essence of Philip Larkin and his poetry. Tulloch deftly builds Larkin’s poems into a sustained landscape, fills it with Larkin’s characters and just for good measure adds a version of Larkin himself – meet Arthur Merryweather: librarian, poet and would-be great romantic.

In the extract below, having newly (and rather unhappily) moved to a new town, Merryweather embarks on his first journey to his new place of employment: the university library…

 

This extract begins on page 49 of Larkinland.

8.

Hiding behind his (local) morning newspaper on the trolley, Merryweather felt as though he were going not to a library but a hospital for the prognosis of some lump. The Monday morning breakfast table repeated on him as much as the kippers: that barrage of sauce bottles, chewing jaws and bad breath.
Contrary to expectations, a pleasant surprise awaited him at the university. Instead of the utilitarian, redbrick barrack rising from a raw building site his successful novelist friend had led him to expect, he found half hidden in lawns and willows, a country house brocaded with ivy. A post box was quickly located, and the weekend’s letters dispatched.At the Aide to the Vice-Chancellor’s office he had to wait for half an hour. ‘What does he want?’ he heard the administrator ask his secretary.
‘Something about the library, sir.’
‘Library? What does he want with the library?’
‘You appointed him as the new head librarian, Sir.’
‘Did I?’
Throughout their brief cup of tea, the Aide to the Vice-Chancellor continually rearranged pens on his desk as though working out some enigmatic puzzle. His curly beard and fringe gave him the look of a merino sheep. This ovine resemblance reminded the librarian that the man on the other side of the desk had been the silent partner in the interviewing panel at the British library, though he clearly didn’t remember Merryweather. ‘Found digs yet, Merriman?’
‘Yes, thank you.’ His mother’s son, in the face of authority Merryweather demurred from making correction.
The Aide to the Vice-Chancellor paused in his pen arranging. ‘The town does have some good areas; I’ve always maintained that. How do you find arrangements on the river? Yes we are rather out on a limb. Where the train runs out, the land too, wot? And we’re just left with the mud and the sky. The natives, well you might like them or you might not; on the whole the students can sometimes be keen. Not a bit like that dreadful novel doing the rounds.’ Merryweather suppressed a grin. His friend, and chief correspondent, was the writer of the deliciously scandalous academic novel doing the rounds. ‘Well, no doubt you’ll be anxious to see your little fiefdom. Very good of you to come in today, Merriman. Above and beyond…’
Was everybody off their rocker here? The librarian puzzled as, interview over, he headed in the direction the Aide to the Vice-Chancellor’s secretary had pointed out.
Merryweather’s fiefdom was yet another surprise. Had his luck changed? Leaning out of some children’s story, a pair of manorial gateposts offered a secretive avenue of chestnut trees. The avenue graciously ushered the librarian to a brownstone building bearing the simple sign: Library. In summer, that dead wood adhering to the walls would be rambling roses; spring, when it arrived, promised bluebells. For now, a robin piped the melancholy carol of a T.S. Eliot April; all that was missing was a gardener’s fork for it to perch on and begin conducting the way to a secret garden.And there was the garden fork!
Not a city sound to be heard as the new head librarian mounted his library steps for the first time. Above the door, a sculpted stone figure in the art deco style reclined on lintel. The figure – reclining or hovering? – peered down at him. Was it an angel? Art deco, the final and least expected touch. The ghosts of Evelyn Waugh’s bright young things. Et in Arcadia Ego blah, blah, blah. That was one thing about librarianship, it might be sexless and bloody boring, but, like a convalescence from a good bout of measles, it gave one plenty of time to read.
The angel watched Merryweather push and pull the entrance door, shunt and shove, thrust and shoulder. All in vain, it was locked. No sign of anyone within. No lights. Nose pressed against the glass, all the new man could see was a darkling, marble vestibule. Skulking in the shadows like a Neanderthal peering from his cave, the bust of some beetle-browed philanthropist frowned at the disturber of his peace. Knocking unanswered, Merryweather got on his knees and called through the low letterbox.
‘Oi!’ A shout from the chestnuts. The librarian struggled to his feet. Was it directed at him? ‘Yes, you, you lanky sod. What’s your game?’
For a moment, he thought the person breaking from the undergrowth, all whirring arms and neck, was a policeman. Only when the official reached him did the librarian realise his mistake. ‘I’m trying to get in,’ Merryweather explained.
‘Oh you are, are you? Well you’re not going to.’ Not the sprightliest of men, the college porter was out of breath. ‘Can’t you see it’s closed?’ Merryweather’s trilby, tie, briefcase and British Warm seemed to mollify the custodian. ‘Thought you were some grubby student.’
‘Actually – I’m the new head librarian.’
Torn between suspicion and a professional sense of caste, the porter took off his hat and scratched his head.‘Didn’t they tell you? Nowt’s open today. No students. Nothing.’ Suspicion reared to the fore.‘ How do I know you’re who you say you are? No one told me. I didn’t even know the last one had gone.’
Feeling rather ludicrous, Merryweather opened his briefcase to bring out a copy of The Library, the journal of the Bibliographical Society. The porter flipped through the pages with a yawn. ‘No, I don’t suppose you’d read something like that unless you really were a librarian.’
‘Well exactly.’
The porter fell back on the eternal sigh of his breed, as well as the habitual mix of pronouns. ‘Better come with me, sir, and I’ll see if we can’t sort you out for yourself. I’m Harry. Harry Oxley.’
Harry led him back up the chestnut avenue and across a chain of secluded lawns to where a more municipal, Winifred Holtbyish building stood. A hushed maze of parquet floors contained the porter’s lodge. Merryweather was installed on an ancient chair beneath an enormous dovecote of pigeonholes. Smelling the lodge’s varied woods and listening to the porter on the phone, he felt gratitude for having missed both the war and national service. Easy to imagine a rifle range, wet feet, and the porter, a sergeant major, explaining how to strip a Bren gun for the hundredth time. Four separate phone calls had to be made, two of them trunk. At last the hugest bunch of keys Merryweather had ever seen was plucked from a hook. ‘If you’d like to come along with me, Mr M.’ Jingling like some Dickensian turnkey, the porter led him back through the parquet labyrinth, over the lawn, through the enchanted gates and down the chest- nut avenue to the library. ‘That wants taking down,’ Harry declared, looking up at the angel as he unlocked the door. ‘Or one of these fine days it’ll come down and crush a student flat.’
Passing through the philanthropist’s marble gaze, they entered the library proper. After the imposing entrance and almost grand vestibule, the first impression was frankly underwhelming. Something about the size of a real tennis court presented itself. Less fiefdom than corner shop. Well, not quite that bad. As Merryweather’s eyes grew accustomed to the half-light, he saw that the shelves were almost spectacularly tall. They towered into a shadowed silence bound by a lofty gallery. Above that, high windows. Following Harry, Merryweather found that the premises had a second, identical room, which gave access to a couple of smaller reading rooms. In total, the whole concern was on the scale of a thriving branch library. The high windows gave the vague feel of a mausoleum. Merryweather felt half at home. When Harry switched a flick, the gruelly light barely thickened. ‘Bloody bulb’s gone again,’ he said, voice amplified to a giant’s timbre by the cavernous emptiness. ‘Pardon my French.’
There was another surprise. Following his guide between tight, dark shelves, the new librarian stepped into a well of light. A dome rose high above him. It had been hidden from him by the tall stacks. A metal staircase wound steeply up the side of the dome. ‘Careful coming up here, Sir.’ The steps creaked as the pair mounted them, the echo rippling through the several deeps of the library.‘They all like this?’ the porter asked, stopping halfway up.
‘Beg pardon?’ asked Merryweather, not sure the stairs were exactly safe.
‘Are all libraries so loud?’
‘I’ve never really thought about it.’
‘They’re supposed to be quiet, but they’re not, not when nobody’s in them. It’s only when they’re full that they’re quiet. What do you make of that?’
‘Interesting,’ said the new head librarian only quarter lying.
The winding stair led to a smoked glass door marked Head Librarian in rather skittish swirls. The porter opened up. By some architectural sleight of hand, instead of the storeroom attic Merryweather had been expecting, the room was commodious to the point of extravagance. Decorous cornices, oil paintings, armchairs, and, wonderfully incongruous, a chaise longue. Two pairs of generous windows to boot. After the crypt-like library, the view – chestnut avenue, gateposts, a lawned middle distance bound by tree-lined road – opened up like the vista from a headland. ‘Its acoustic is the opposite of a theatre,’ Merryweather said, without turning from the window. ‘That’s what makes them so loud. Libraries. Paradoxically so, given all the signs for silence.’ His eyes narrowed as he continued to gaze at the view whose limit was described by a bicycle trolling through a tracery of leafless branches. ‘A theatre is designed for projection, a library, introspection. On stage, one seeks to be heard by hundreds, a library has a far greater ambition. It aims to reach…’ Merryweather broke off. He could see Harry making off under the chestnuts. ‘And so forth.’
Shoulders easing with this unexpected bonanza of solitude, Merryweather sat at his desk. Solid as a tug. Just as well, more than likely it would be required to haul him into the waters of middle-age. Perhaps beyond. It offered all the tools of the trade. Ink bottle, ink well, blotting paper, telephone, in and out trays, an ashtray (plain), pen holder (rather decorative), enough drawer space for concealing a dismembered corpse let alone a bottle of Glenlivet, paper too, sufficient thereof for the writing of a novel. Except his novel-writing days were over, that was a business best left to his successful friend. Merryweather suppressed a belch of regret, but it was that morning’s kippers not the brace of his own unsuccessful novels, which had found little favour with the reading public when published just after the war. With the nearly pleasurable air of being a ship’s captain finding himself alone not only on his bridge but on the whole vessel, Merryweather lit the fire from the ample basket of logs, and then his first Park Drive of the day. A relatively exciting though not entirely trustworthy feeling flickered with the flames as he sat on the chaise longue: he’d be able to write poetry here.

 

Larkinland is currently half price on the Seren website: £9.99 £4.99

Half price offer ends midnight, Sunday 29 July.

 

 

Posted on

Summer Sale: a whole week of half price books

Seren Summer Sale Half Price books

The sun is shining, school’s out for the summer, and – what’s this? All our books are half price!

Half price summer sale
Fiction, non-fiction and poetry – and this is just a tiny portion of it…

Whether you’re looking for some poetry to dip into, or an immersive holiday read – we’ve got you covered. We’ve even picked out a few highlights below…

Best for…
Holiday reading:
Maria Donovan The Chicken Soup Murder£9.99 £4.99
A dear elderly neighbour has died under suspicious circumstances and the only one searching for justice is eleven-year-old Michael. No-one believes his cries of ‘murder’, so how will he prove his version of events? This is a truly touching coming-of-age story with an addictive mystery at its heart.

 


Best for…
Dipping into in moments of peace:
£9.99 £4.99
Elizabeth Parker’s debut book of poems is delicate, precise, and utterly captivating. From flowing rivers to the Forest of Dean, let yourself be lured into landscapes both captivating and strangely unfamiliar.

 

 

Best for…
Armchair reading:
£12.99 £6.49
For at least the last 1,500 years, Capel-y-Ffin has been a spiritual retreat: a beautiful, lonely, timeless place where people have gathered to escape from the outside world. And so it was for artists Eric Gill and David Jones: with fascinating insight, Jonathan Miles explores their years spent in this Welsh wilderness, and its promise of religious and artistic evolution.


Best for…
Livening up a long journey:
Christopher Meredith Brief Lives£9.99 £4.99
Whether reading on a stuffy train, whilst waiting at the airport or, perhaps, somewhere more peaceful, these six masterful short stories will transport you: to the South China Sea in 1946 to a nameless place at the end of time, and many others in-between. Christopher Meredith is a writer at the height of his powers – these beautifully crafted stories are all the proof you need.


Best for…
Broadening the mind:
Barney Norris The Wellspring£12.99 £6.49
Acclaimed novelist and playwright Barney Norris ponders cultural identity and the nature of creativity in these conversations with his father, David Owen Norris – ‘quite possibly the most interesting pianist in the world’ (Toronto Globe and Mail). This is a deeply personal, entertaining and at times provocative study of how people and societies find their voice.

 

Best for…
Keeping you up past bedtime:
Ross Cogan Bragr£9.99 £4.99
Norse gods tumble out of Ross Cogan’s new collection, intermingling with the environmental concerns so pressing in the modern day, and eulogies for vanishing wildlife. The pitch-perfect re-tellings of creation myths and bloodthirsty battles will hold you spellbound until the last page.

 

 

Our Summer Sale lasts for one week only – so treat yourself and have a browse before midnight on Sunday, 29 July! Who knows what gems you’ll find…

50% discount subject to availability. Excludes forthcoming titles.

 

Posted on

Friday Poem – ‘History’, Zoë Skoulding

Last night, in front of a packed audience, we were thrilled to witness Zoë Skoulding accepting a Cholmondeley Award for an outstanding body of poetic work. In celebration, our Friday Poem today is ‘History’, a poem from Zoë’s latest collection, The Museum of Disappearing Sounds.

Friday Poem Zoë Skoulding

Zoë Skoulding Museum of Disappearing SoundsThe disappearing sounds of Skoulding’s collection may be either in the rich sonic environments that the poems observe, or in the resonance of words themselves, which exist in traces of speech and breath. These poems can provoke states of eerie unease, or of passion evoked with shimmering densities of verbal texture. Exploratory and alive to the senses,The Museum of Disappearing Sounds creates new perspectives on language and the world in which it exists.

 

Friday Poem Zoë Skoulding History

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Museum of Disappearing Sounds is available from the Seren website: £8.99

Join our free Book Club for 20% off every book you buy from us.

Posted on

Friday Poem – ‘Swan’, Ross Cogan

Friday Poem Ross Cogan Swan

Our Friday Poem this week is ‘Swan’, from Ross Cogan’s new collection, Bragr.

Ross Cogan BragrWhether it’s myth intended to explain the constellations, the secret of eternal life, or the bloodthirsty tale of the mead of poetry, Ross Cogan’s collection Bragr (meaning ‘poetry’ in Old Norse) is a reimagining of Norse mythology for our times. The collection also focuses on environmental concerns: the earth’s incredible beauty seems all the more fragile in the face of habitat loss and global warming.
In ‘Swan’ the poet recalls an archaeological excavation of a neolithic settlement in Denmark that unearthed a remarkable grave. The excavation was detailed in Simon Mithen’s book, After the Ice.

 

Swan Ross Cogan Bragr

 

 

 

 

 

 

 

 

 

 

Bragr is available from the Seren website: £9.99

Join our free Book Club for 20% off every book you buy from us.

 

 

 

Posted on

The Chicken Soup Murder Shortlisted for Rubery Book Award

We are thrilled to announce that Maria Donovan’s debut novel, The Chicken Soup Murder, has been shortlisted for the 2018 Rubery Book Award’s Fiction category. The Chicken Soup Murder is one of eight titles to reach the shortlist.
Part crime fiction and murder mystery, part meditation on grieving, friendship and family, The Chicken Soup Murder is a coming-of-age story narrated with resilience and humour by Michael, whose cosy young life is threatened by bullying and blasted by visitations from the biggest bully of them all: Death.
The Rubery Book Award is the longest established book award based in the UK for independent and self-published books, and besides fiction, it has prizes for outstanding works of poetry, non-fiction, children’s & YA fiction, and illustrated children’s books.
The category winners and 2017 Book of the Year will be announced soon. For more information see the Rubery Book Award website.
 
 
 
 
 

Posted on

Short Story of the Month | ‘Dolls’ Hospital’, Christopher Morley

Our new Short Story of the Month is ‘Dolls’ Hospital’ by Christopher Morley.

A young boy’s persistent curiosity sets him on an adventure to the mysterious Doll’s Hospital, in which he learns that not only dolls need mending.

Christopher Morley was born in Nottingham in 1946.

He is a retired primary school teacher, a fine artist and short story writer.

 

 

Dolls’ Hospital

This is an extract. Read the full short story for free on the Seren website.

The Dolls’ Hospital was at the top of Alfreton Road near to Canning Circus. I had been aware of it ever since we had taken to visiting friends at Bobber’s Mill. It was necessary to catch a trolley bus, and the stop was almost outside the Dolls’ Hospital. Waiting for the trolley bus gave me enough time to gaze at the window display. The Hospital was a shop front of one large window, a recessed entrance and a much smaller window. Boards obscured the interior of the premises but afforded shallow display areas. On display were mostly dolls and teddy bears. Some were bandaged or had an arm in a sling. One teddy with a leg in plaster was propped up on a crutch. Some dolls wore old fashioned nurses’ outfits and tended patients in shoe-box beds. The main fascination for me was the small group of lead soldiers that represented the Army Medical Service. A wounded redcoat was being carried by blue tunic stretcher bearers towards a Florence Nightingale figure waiting at the entrance to a white medical tent. I wondered if there were more soldiers to be seen inside, but the Hospital was never open when I was there. There was a notice on the drawn down door blind that said that the hours were 9:30am to 5pm, with a lunch break between 12:30 and 1:30. Also the Hospital was open only Tuesday, Wednesday and Thursday. We visited our family friends on Saturdays. Anyway I didn’t have an excuse to go inside because I had no dolls that needed treatment, and I would never dare just go in for a look.

~o~

Mrs Hilton said that it would be nice to hear some diary entries read out. I shrank down hoping I wasn’t chosen, not because I couldn’t write or because I was nervous of reading aloud. I never seemed to have anything suitable to write about. Playing at soldiers and going to the cinema with my parents seemed so commonplace. Julia Billington was eager to read her diary. It was a sad account of her pet Chow-Chow who chewed off an arm belonging to her favourite doll. I sat up. I resolved to speak with her on the way home.

I caught up with Julia and Lorraine. Lorraine glared at me when I broke the rules and spoke to Julia. Julia beamed and listened.

‘You can get your doll’s arm mended at the Doll’s Hospital.’

When I told her where it was her ready smile faded. She had no idea where Alfreton Road was, and her parents wouldn’t let her go far without a suitable escort.

‘I could take you next week, it’s the holiday.’

Lorraine’s eyes bored into me. Julia resumed her smile and agreed to meet me at the bus terminus opposite her house on Tuesday to catch the 9:40 into town.

~o~

I fretted about this adventure all weekend, but was reassured when I saw Julia waiting beside the Number 19 with a parcel under arm. We sat downstairs on the left so as to be ready to get off. She peeled back the brown paper enough to show where the missing arm should be.

‘I told my Mother I was going to play with Mickey Hazeldine. What did you say?’

‘Oh, I said I was going to look at new dolls in Beeston with Lorraine. I’m allowed to go to Beeston if I’m with a friend. Lorraine’s really gone to her cousin’s.’

‘Tickets, please.’

The conductor was looming with his ticket machine. It was the one that my Mother said was lairy. He certainly was full of himself.

‘Two halves to Canning Circus, please.’

He grinned as he wound out the tickets, ‘Family outing is it?’

‘Yes,’ replied Julia, ‘We are taking baby to the hospital. She’s got polio.’

The conductor backed off. Julia was quick. Being a redhead she had had plenty of practice batting off silly remarks.

We got off just after the Drill Hall where the Territorial Soldiers met. It was only a couple of minutes’ walk around Canning Circus to get onto Alfreton Road. As soon as we turned the corner we could see the sign for the Dolls’ Hospital standing out from the wall. It was just about ten o’clock. There was a light on in the Hospital, much to my relief. The door pinged when I pushed it open.

Continue reading ‘Dolls’ Hospital’ for free here.

 

 

 

Posted on

Friday Poem – ‘Dear Anne Monroe, Healthcare Assistant’, Bryony Littlefair

Friday Poem Bryony Littlefair Dear Anne Monroe NHS

July 2018 marks 70 years of the National Health Service Act and the NHS. In celebration, acclaimed poet Owen Sheers has produced a new ‘film-poem’ showing twenty-four hours in the NHS, ‘To Provide All People’ – now available to watch on BBC iPlayer. This week’s Friday Poem by Bryony Littlefair, ‘Dear Anne Monroe, Healthcare Assistant’, also gives us a glimpse inside our healthcare system.

Giraffe Bryony LittlefairAn apology opens this powerful poem, in which a healthcare assistant faces up to a patient’s pre-op fear and resistance: ‘I’m sorry that my sister will not let you take her blood/ for the operation that will save her life.’ Everyday struggles are presented in a stark light: the ‘gulped-down cheese and lettuce/ sandwich’, the intrusive questioning of ‘where it is you’re from originally’.
The politics in Littlefair’s poems are mostly implicit in the stories told, only occasionally bursting through like an urgent message. Giraffe, her Mslexia Prize-winning pamphlet, expertly merges the poet’s wit and wonderful humanity with novelistic qualities and a feminist kick: this is a beguiling, beautiful and entertaining debut.

Bryony Littlefair Dear Anne Monroe NHS

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Giraffe is available from the Seren website: £5.00

Join our free Book Club for 20% off every book you buy from us.