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Seren Books is open to submissions

Series of Seren book covers. Left to right: The Butterfly House, Wonderboy, The Crazy Truth, This Stolen Land, Battery Rocks, The Edge of Cymru, A Darker Way, Whaling, Strange Husbandry, Cymru & I

Seren: Enriching, Connecting and Strengthening Lives

We are thrilled to share the news that we are re-opening to submissions. Having spent the past six months developing our new Business Plan and streamlining our operations, we have now agreed a pathway forward for the company and the future we’re aiming for. Keep an eye out for more information on this coming soon to the website and newsletter.

We want to publish vibrant, relevant and far-reaching Welsh literature. We want to honour our literary heritage and publish creative work and writers which and who appeal to a broad readership. We want to amplify our tradition for both reflecting and challenging contemporary Wales and its communities, values and experiences. And we want to have and spread fun whilst doing so!

So – we’re going to be doing things a little differently from now on. We’ll be running call-outs for specific types of books, and we’ll also be directly commissioning by scouting for writers and ideas which fit these criteria. Occasionally we’ll run open submission windows, but we’ll always make commissioning decisions based on our strategic position, including our current editorial priorities and what readers and booksellers want. We will not accept submissions outside of call-out windows or which don’t fit what we’re looking for.

All writers are welcome to submit book ideas which fit our call-outs, including emerging writers, those we’ve published before and those published elsewhere. We’re also keen to hear from those who may not consider themselves a writer but have a sensational idea and the ability to pull it off.

We want to help create a literary culture which represents an entire spectrum of lived experience. The more diverse the perspectives we publish, the stronger, more meaningful and popular our books and their influence will be. We encourage submissions from all communities, faiths, backgrounds, and from anyone who experiences racism, ableism, poverty, homo- and trans-phobia, those under 30 years old, and from everyone else.

Every submitting writer will be asked to think about their readers and the booksellers who will stock their book. We’ll ask how you’ll support book sales if it’s published. We don’t want full manuscripts in the first instance. Instead, we’ll ask for a synopsis of the book, a chapter outline and sample text. Aligned with our co-editorial approach to poetry commissioning, we will collaborate on commissioning decisions, drawing on the expertise across our staff, Directors and wider stakeholders from the publishing industry.  

You’ll see four publishing call-outs between now and the end of the year spread across the three book genres we publish. We hope these will appeal to you and can’t wait to read your ideas.

Details of open call-outs can be found on our Submissions page and we’ll also be running some online Q&As so come along to one of those if you’d like to discuss this or any of the call-outs further with us. We’ll see you there!

The Seren Team

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Guest Post: Katrina Naomi on nature, risk, poetry, swimming and the sea

Katrina Naomi standing on the shore in her swimming costume looking out across the grey sea

To celebrate publication of her new collection Battery Rocks, today’s guest post sees Katrina Naomi muse on some of the themes which inspired the book and how sea swimming forms part of her creative process.

I recently did a reading which previewed a few poems from my new collection, Battery Rocks. In the Q&A someone asked if risk was important to my poetry. My answer was emphatically, yes.

Battery Rocks is a collection about nature, risk, swimming and the sea.

In many ways, it feels risky to publish a themed collection – I’ve never written a whole collection that’s themed before, I’ve plenty of themed pamphlets but not a whole collection – so this feels like a risk. Is it too niche? Is it too obsessive? Quite possibly. But then if there’s no risk in a project – poetic or otherwise – it’s likely to be dull.

One thing I will say about Battery Rocks – I don’t think it’s dull.

Sea swimming, especially if you swim year-round and often on your own, with frequent Cornish storms, is inherently risky, and it’s in that risk that I find the poetry. I write in response to my fear of the sea, there’s the risk that I might not make it back to land.

I’ve also another question around risk – and perhaps I have an unusual view on this – but in Battery Rocks I explore why I often feel safer in the sea, in just a cossie, than I do on land. As someone’s who’s experienced sexual violence, I feel free in the waves in a way I rarely do elsewhere. On land, I feel the need to look over my shoulder. In the sea, I sense a connection with other animals, birds, plants and fish, I’m part of a wider community, a different community to my life on land. One that – for the most part – feels less risky, unless there’s a bull seal about.

If you’re a sea swimmer, this book might already appeal to you. If you’re not, why would you want to read it? I can’t answer that but some people who’ve already read Battery Rocks and aren’t swimmers tell me that the poetry has a real vibrancy, that it covers a huge range of topics – from love and friendship, to world events – and that it has a fresh take on our relationship with the natural world.

I think there’s also something in the idea of the specific – a collection of poetry that’s written in response to the ritual of swimming off the same bit of rock in a Cornish town each day – that can work towards being universal. I certainly hope to offer a different take on the picture-box view of Cornwall.

Swimming in the sea is part of my life, part of my creative process. I swim and then I write. Many of these poems were written directly after a swim, sometimes in the rain, wrapped up on the rocks against the wind. Sometimes I’ve had to admit defeat and go back home, make myself a hot chocolate and write in my little room with a view (at least on good days) of the harbour.

Katrina Naomi sitting on the rocks after a swim writing in the sunshine by the sea

The closing poem of Battery Rocks, ‘in the kelp forest’, won the Keats-Shelley Prize. I’m extraordinarily grateful for this. And the collection as a whole recently won an Arthur Welton Award from the Society of Authors, which I’m chuffed to bits by.

I hope that the writing of this book will have been a risk worth taking and I really hope you’ll enjoy Battery Rocks.

Katrina Naomi

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Strange Husbandry by Lorcán Black is a PBS Autumn Recommendation

This cover shows a dark Renaissance-style painting of a woman with paint peeling away over her face and body. The text reads: Strange Husbandry, Lorcan Black

We’re delighted that Lorcán Black’s forthcoming collection Strange Husbandry is a Poetry Book Society Autumn Recommendation for 2024.

Chosen by Jo Clement, Roy McFarlane and Shivanee Ramlochan, the Autumn Selections include:

Autumn Choice: Signs, Music – Raymond Antrobus – picador 

Recommendation: AGIMAT – Romalyn Ante – Chatto

Strange Husbandry – Lorcán Black – Seren 

The Keelie Hawk, Poems in Scots – Kathleen Jamie – Picador 

BLUFF – Danez Smith – Chatto

Special Commendation: Adam – Gboyega Odubanjo – Faber

Translation Choice: Guillaume Apollinaire and Velimir Khlebnikov – Birds, Beasts and a World Made New – Pushkin Press

Strange Husbandry is available to pre-order now. Publishing 15th July 2024.

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Friday Poem – ‘Sun, Earth and Moon scale model (Oxford Natural History Museum)’ by Glyn Edwards

View of the sun and moon seen over the curvature of the earth

To celebrate In Orbit by Glyn Edwards making the shortlist for Wales Book of the Year 2024, this week’s Friday Poem is Glyn’s poem ‘Sun, Earth and Moon scale model (Oxford Natural History Museum)’.

Sun, Earth and Moon scale model
(Oxford Natural History Museum)
To stand together by the gallery
pillars looking down at Anning’s
ichthyosaur, at a triceratops skull.
To imagine the air as a dense strata
filled with fossils. To notice then
two pinheads in a display case
and an explanation of scale beyond
comprehension. To hear you count
all nine zeros and read aloud that
there is a third sphere across the hall
the equivalent size and distance
of the sun. To see how you first flinch
then stare at the gilded ball and to know
what you will ask next. To tell you
there’s one billion seconds in a decade
and to watch you translate our lives
into time, and to watch you transpose
time into distance, and to watch you lean
so close to the glass that your head
eclipses the painted earth, and its tiny,
textured moon, and to watch you.

Voting is currently open for the Wales Book of the Year People’s Choice Award where you can support your favourite book on the shortlist. Don’t forget to vote if you haven’t already done so.

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Nathan Munday shortlisted for the Betty Trask Prize

Copy of Whaling laid out against a wood effect background

Congratulations to Nathan Munday whose debut novel Whaling has been shortlisted for the Society of Authors Betty Trask Prize. The prize is awarded annually to the best first novel by a writer under 35.

Nathan is shortlisted alongside five other authors, including fellow Welsh writer Rachel Dawson (Neon Roses). Of the shortlist, judge Anjali Joseph said: “The shortlist this year includes several historical novels, and a few that take elements of classics – Moby Dick, Frankenstein – and make them into something new. All of the shortlisted novels delighted us with their freshness and each had a voice that was distinctively and recognisably its own.”

The winner will be announced at the Society of Authors Awards Ceremony on 20th June taking place at Southwark Cathedral. The event will also be live streamed.

To view the full shortlists for all of the Society of Authors Awards, visit the Society of Authors website.