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Friday Poem – ‘The Romantic’, Katrina Naomi

Friday Poem The Romantic by Katrina Naomi

Our Friday Poem this week is ‘The Romantic’, from The Way the Crocodile Taught Me by Katrina Naomi, who has just been shortlisted for B O D Y’s ‘Best of the Net’.

The Way the Crocodile Taught Me is a heartfelt and tragi-comic portrayal of a fraught childhood and adolescence. Central to the book are two sequences: one about a quick-tempered stepfather – a 17-stone brute, “mostly in a temper”, and the other about a kindly but also comically old-fashioned grandmother.
‘The Romantic’ recalls the poet’s lost father, and the deep emotional fissures he left behind.

 

 

Katrina Naomi poem The Romantic

 

 

 

 

 

 

 

 

 

 

 

 

The Way the Crocodile Taught Me is available from the Seren website: £9.99

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Friday Poem – ‘Sax Burglar Blues’, Robert Walton

Friday Poem Sax Burglar Blues Robert Walton

This week our Friday Poem is the title number from Robert Walton’s brand new collection, Sax Burglar Blues.

Not so much a discovery as a re-discovery, Robert Walton’s new book of poems, Sax Burglar Blues, is his first full collection since winning a Welsh Arts Council Prize in the ’70s. After a working life as a teacher, Walton has resurrected his artistic gifts, and years of experience give his poetry both a spiky mien and an artful complexity. Subjects include: woodlice, jazz, teachers, grandparents, a canary who runs for President, Sisley’s lovely painting of the Gower, the iconoclastic poet John Tripp, a night bus named after Dusty Springfield, a Dad who loves Cardiff City, the annoying closure of bookshops and much more.
A guest at last night’s First Thursday event at the Chapter Arts Centre, Robert treated the audience to a live performance of ‘Sax Burglar Blues’, complete with saxophone solos. Scroll down to see for yourself.

 

 

Robert Walton Sax Burglar Blues

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sax Burglar Blues is available from the Seren website: £9.99

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Friday Poem – ‘Intruder’, Mike Jenkins

Friday Poem Intruder Mike Jenkins

Our Friday Poem this week, in time for Halloween, is sure to give you a bit of a chill: ‘Intruder’, from Mike Jenkins’ 1995 collection, This House, My Ghetto.

Mike Jenkins This House My GhettoIn This House, My Ghetto we see a post-modern, post-industrial landscape – far different from the Wales of postcards – subject to the whims of petty bureaucrats. Jenkins makes room for eccentric petrol pump attendants, beleaguered immigrants, odd lodgers, famous footballers and ghosts. He doesn’t flinch from the bleak streets of ‘Gurnos Shops’ where a local ‘takes his beer gut for a walk’, and even a mountain has its say about pesky tourists, yet his ascerbic humour and energy frame the outrage, and there are plenty of poems that, in contrast, praise and celebrate.
In ‘Intruder’, a quiet street is assaulted by the oppressive winter cold, and by a mysterious figure who interrupts the peaceful suburban landscape – ‘a territory he’d like to claim’.

 

 

Intruder Mike Jenkins

 

 

 

 

 

 

 

 

 

 

 

 

 

 

This House, My Ghetto is available from the Seren website: £5.95

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Friday Poem – ‘Wintering’, Rhiannon Hooson

Friday Poem Rhiannon Hooson Wintering

Rhiannon Hooson’s incredible debut collection, The Other City, has just appeared on the Wales Book of the Year shortlist – and this week our Friday Poem is one from its pages: the seasonally-appropriate ‘Wintering’.

The Other City Rhiannon HoosonThe Other City offers us elegant, artful verse of precision and insight. Sharply focused, beautifully resonant, deeply felt, these poems tend to travel in distinct streams: characters like Zeus, Narcissus, Ariadne, and Ganymede sit alongside reworkings of Welsh history, both ancient and modern. Other poems explore the idea of otherness and the uncanny, where actions are done and undone, and the familiar made unfamiliar.
This is a poet who can re-imagine scenes from Greek myth, from Welsh history, and make them as urgent and compelling as her poems about personal relationships.

 

Rhiannon Hooson Wintering

 

 

 

 

 

 

 

 

 

The Other City is available from the Seren website: £9.99

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Friday Poem – ‘Drumlins have no personality’, Siobhán Campbell

Friday Poem Drumlins Siobhán Campbell

Our Friday Poem this week is Siobhán Campbell’s ‘Drumlins have no personality’, from her latest collection, Heat Signature.

Heat Signature Siobhan CampbellSiobhán Campbell’s poetry is of a strange breed: simultaneously comic and brutal, intelligent and whimsical. In Neil Leadbeater’s newly published review, he points to the ‘profoundly challenging and entertaining’ nature of Campbell’s new poems. Heat Signature is Siobhán’s sixth collection, and its complex style is entirely characteristic of the poet’s spikey voice: infused with an intelligence that resists easy answers to the conundrums that have faced her Irish homeland, but also suffused with a grudging admiration for the citizens who have survived their tumultuous history.

A note on the poem: drumlins are small hills shaped like half-buried eggs, formed by underlying glacial ice. The name comes from the Irish word droimnín (“littlest ridge”).

 

Siobhán Campbell Drumlins

 

 

 

 

 

 

 

 

 

 

 

 

 

Heat Signature is available on the Seren website: £9.99

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Friday Poem – ‘The Children’s Asylum’, Pascale Petit

This week our Friday Poem is ‘The Children’s Asylum’ by Pascale Petit, which was originally published in The Huntress, and later featured in Tokens for the Foundlings, an anthology inspired by the Foundling Hospital.

Established in 1741, The Foundling Hospital was essentially Britain’s first orphanage, and admissions were catalogued by tokens – coins, scraps of ribbon, needlework – symbols of maternal hope left by the children’s parents. Tokens for the Foundlings is an anthology of poems about orphans, childhood and family inspired by and supporting the work of the Foundling Museum in Bloomsbury. It brings together many of the finest poets from Britain, Ireland and the USA, among them Seamus Heaney, Carol Ann Duffy, Gillian Clarke, and our featured poet today, Pascale Petit.
The Huntress is Pascale’s T.S. Eliot shortlisted third collection, and re-imagines a painful childhood through a series of remarkable and passionate transformations.

Petit says, “I wrote ‘The Children’s Asylum’ after my mother died, and left a trunk of journals and letters in which I found her description of being committed to a “loony bin” when she was nine years old. Later in life her mental illness became worse, and it’s this that I wrote about in my seventh collection Mama Amazonica (Bloodaxe, 2017), where the “madwood” of ‘The Children’s Asylum’ has turned into the whole Amazon rainforest, and her psychiatric ward is a place haunted by giant talking water lilies, jaguars, caimans and hummingbirds.”

 

 

The Children's Asylum Pascale Petit Friday Poem

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Huntress is available on the Seren website: £7.99

Tokens for the Foundlings is available on the Seren website: £12.99
(all royalties from sales are donated to the Foundling Museum, in support of its work)

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Friday Poem – ‘Blood Testing Piglets’, Ilse Pedler

Friday Poem Blood Testing Piglets Ilse Pedler

Our Friday Poem this week is ‘Blood Testing Piglets’ from Ilse Pedler’s debut poetry pamphlet, The Dogs that Chase Bicycle Wheels.

The Dogs that Chase Bicycle Wheels Ilse Pedler Friday PoemWinner of the 2015 Mslexia Poetry Pamphlet Competition, poet Ilse Pedler often writes from her perspective as a working Veterinary Surgeon. From her earliest days as a student of Applied Zoology at Bangor University, where she worked with hill sheep and had to visit an abattoir in Caernarfon, she has been involved at close-quarters with animals. Her deep knowledge and genuine love of them informs this art. A secondary theme is secrets: those we keep from others, those we keep from ourselves, those nature keeps from us.
Sometimes poignant, often comic, the poems in The Dogs that Chase Bicycle Wheels display a keen intelligence and dynamism.

 

Isle Pedler Blood Testing Piglets

 

 

 

 

 

 

 

 

 

 

 

 

 

The Dogs that Chase Bicycle Wheels is available from the Seren website: £5.00

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Friday Poem – ‘Miner, Abercynon, 1985’, Duncan Bush

Friday Poem Duncan Bush Miner Abercynon

Late last month we were shocked and saddened to learn of Duncan Bush’s passing. This week our Friday Poem is one of our favourites from The Hook.

The Hook Duncan BushThe Hook combines powerful early poems from two of Duncan Bush’s prize-winning collections: Aquarium (1983) and Salt (1985), together with several poems published in pamphlet form at the time of the 1984-85 Miners’ Strike, including our featured poem ‘Miner, Abercynon, 1985’.
The poems in this book focus on a number of themes that Duncan Bush continually refined over the years. His central concerns are the nature of work, the impact of industry on its environs, and the fate of modern man at the centre of a complicated web of social, political and personal forces.

 

Friday Poem The Hook Duncan Bush

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Hook is available from the Seren website: £7.95

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Friday Poem – ‘Archaeology’, Robert Minhinnick

Archaeology Friday Poem Robert Minhinnick

September has arrived, but our Friday Poem looks back to August’s Legend of the Month: Robert Minhinnick. ‘Archaology’ is from his sixth collection, Hey Fatman.

Hey Fatman is full of the rich, sometimes strange, always telling, detail that is to be expected from one of Britain’s most compelling poets. The book opens with poems set in and around Minhinnick’s native South Wales, and includes a sequence based on the history of an ancestral house, Dunraven. We then move on to work inspired by the poet’s travels in South America and the U.S.A. The whole volume presents us with a series of vivid portraits, and our featured poem, with its subject who ‘ran shouting/ From his house with his hair on fire’, is no exception.

 

Robert Minhinnick Archaeology Friday Poem

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Hey Fatman is available from the Seren website: £5.95

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Friday Poem – ‘The Battle of Gwen Strad’, Taliesin, translated by Tony Conran

Tony Conran’s unrivalled anthology of Welsh poetry through the ages, Welsh Verse, has just returned to print. This week our Friday Poem is Conran’s translation of ‘The Battle of Gwen Strad’, by sixth century poet, Taliesin.

Welsh Verse Tony ConranWelsh Verse is a milestone of translation, containing poetry from the sixth century to the late twentieth century. Virtually every significant poet (or poem: there are several Anonymous entries over the centuries) is present, and every poetic form: the epics of Taliesin and Aneurin, the poets of the medieval princes, Tudor poets, Non-conformist poets, hymn-writers, Romantics, Social Realists and political Nationalists. Welsh Verse also includes an Introduction full of insight into the history of poetry in the Welsh language, and into the challenges of translating it, particularly over so many centuries and styles.
Taliesin is often referred to, in legend and in medieval Welsh poetry, as ‘Taliesin Ben Beirdd’ (‘Taliesin, Chief of Bards’). ‘The Battle of Gwen Strad’, along with several of his other poems, sings the praises of King Urien.

Taliesin poem

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

*Presumably before the Anglo-Saxons took Catraeth (Catterick) – see under Aneirin. Urien was Taliesin’s patron, king of Rheged in Cumbria and S.W. Scotland. The Eden is a river in Cumbria.

 

Welsh Verse is available from the Seren website: £12.99.

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