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Friday Poem – ‘The Children’s Asylum’, Pascale Petit

This week our Friday Poem is ‘The Children’s Asylum’ by Pascale Petit, which was originally published in The Huntress, and later featured in Tokens for the Foundlings, an anthology inspired by the Foundling Hospital.

Established in 1741, The Foundling Hospital was essentially Britain’s first orphanage, and admissions were catalogued by tokens – coins, scraps of ribbon, needlework – symbols of maternal hope left by the children’s parents. Tokens for the Foundlings is an anthology of poems about orphans, childhood and family inspired by and supporting the work of the Foundling Museum in Bloomsbury. It brings together many of the finest poets from Britain, Ireland and the USA, among them Seamus Heaney, Carol Ann Duffy, Gillian Clarke, and our featured poet today, Pascale Petit.
The Huntress is Pascale’s T.S. Eliot shortlisted third collection, and re-imagines a painful childhood through a series of remarkable and passionate transformations.

Petit says, “I wrote ‘The Children’s Asylum’ after my mother died, and left a trunk of journals and letters in which I found her description of being committed to a “loony bin” when she was nine years old. Later in life her mental illness became worse, and it’s this that I wrote about in my seventh collection Mama Amazonica (Bloodaxe, 2017), where the “madwood” of ‘The Children’s Asylum’ has turned into the whole Amazon rainforest, and her psychiatric ward is a place haunted by giant talking water lilies, jaguars, caimans and hummingbirds.”

 

 

The Children's Asylum Pascale Petit Friday Poem

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Huntress is available on the Seren website: £7.99

Tokens for the Foundlings is available on the Seren website: £12.99
(all royalties from sales are donated to the Foundling Museum, in support of its work)

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Friday Poem – The Snake House

This week’s poem comes from Pascale Petit’s third collection, The Huntress, published in 2005.

In Pascale Petit’s highly-charged third collection, a daughter is haunted by her mentally ill mother, and a painful childhood is re-imagined through a series of remarkable and passionate transformations. The feared mother is a rattlesnake, an Aztec goddess, a Tibetan singing bowl, a stalagmite, a praying mantis, a ghost orchid. These culminate in a long central poem where the daughter escapes her huntress as a cosmic stag. Underlying these poems is an intense mystical vision that lifts the dark material of the subject matter above the merely personal. 

The Snake House

It’s time to go up to your front door, Mother,
and ring the rattling buzzer of a bell,
the door with two curved fangs.
I go in, into the muscular throat of the hall,
down the tunnel that’s closing now
to a pinpoint of light.
I’m in the swallowing living-room,
washing it for you, half-alive,
like a man preparing for the rain-dance
in the dry arroyo. He reaches
into the pit and washes the snakes
so that later when he dances with the ‘little mothers’
in his mouth, they won’t bite.
I’m a child playing in the pen
with my pet rattlers,
giving them bread and milk.
As long as I’m unscared
they won’t strike. And you’re saying,
“Only a girl-child can do this”.
My cheeks are almost seamless now,
countless grafts hide the necrosis.

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