Nerys Williams Archives

Posted on December 22, 2023December 19, 2023 by Seren Books

Friday Poem – ‘Rememory’ by Nerys Williams

This week’s Friday Poem is ‘Rememory’ by Nerys Williams from her third collection Republic. You can listen to our in depth interview with Nerys about Republic in episode 6 of The Seren Poetry Podcast Series 2.

19. Rememory
I am lost in the contorted image of a pub. I scroll back to the pedestrian image but cannot get away from a couple who have ordered their dinner and are waiting. Faces pixelated, seated at a polished table. Thankfully I see the emergency exit. My cursor and I stumble down the patterned carpet step, finally to air and traffic.
I have been “home” already, though home is a walk from my ex-boyfriend’s house near a cathedral graveyard. I never noticed that we had a back gate, it was rarely warm enough to hang our washing. Bell practice every Wednesday night, even with closed shutters, ear plugs, trying to enter Californian poetry for its last glimmer of warmth – discordant knells punctuated words. Naming the plants I never saw: Meadowsweet, Queen Anne’s Lace, Morning glory. Winter’s dazzling days, snow on the morning street. Marrow-cold in a house with only a small gas fire, cotton duvets, sheeted ice, socks in bed. Desperate for a taste of sun, the philosopher and I bought avocados, mashed them, added lemon and salt, turned up the heater. Our knitted-selves toasted dappled light with each dip.

Memories of my younger self often circle gatherings at modest feasts. Follow the cursor to a café filled with coffee, panettone and ice cream, orange, pink and green sweet boxes stacked on the shelves. Or, do I turn the corner to find my student-self? Encountering a stalker past bushes and winding river, I ran home breathless, sick. The night of celebrating scholarships to the US the philosopher, filmmaker and I were manifesto making. A night imagining passage on a liner, careering to Sinatra, romanticising ourselves in steerage. The figure at my heels gaining the measure of my two-step, three-step, four-step five-step, six, seven, eight…

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Posted on September 29, 2023September 29, 2023 by Seren Books

Friday Poem – ‘Lyrical Invention’ by Nerys Williams

Photograph of a town sign pointing in multiple directions. The grey town is blurred out in the background

This week’s Friday Poem is ‘Lyrical Invention’ by Nerys Williams which was recently Highly Commended in the Forward Prizes for Poetry. The poem is published in her latest collection Republic.

51. Lyrical Invention
Coming from this “little shit place”, as a rugby coach told us in 2018, we learn adaptive strategies. We are mountain people, under the radar, speaking a language that offers protection from direct penetration. Home is broken down, parables of post-industrial, an adventure campground for another country.
Of course, relish the description by A.A. Gill we are “loquacious, dissemblers, immoral liars, stunted, bigoted, dark, ugly, pugnacious little trolls.” Or, maybe dear reader, if you are into the burn Jeremy Clarkson appeals: “It’s entirely unfair that some people are born fat or ugly or dyslexic or disabled or ginger or small or Welsh. Life, I’m afraid, is tragic.” My friends this tragic life, as we sit in our demesne in soft rainfall. Ron Liddle’s “miserable, seaweed munching, sheep-bothering pinch-faced hill-tribes” comes into mind. Journalists who want our words silenced as “an appalling and moribund monkey language.” There is a danger in responding too quickly, giving ugly words a permanence, credibility.
Monolingualism is no crime, the curation of other languages is a tricky art, but monoculturalism, the impossibility of fielding doubt into your rhetoric? Doubt makes me wonder if there is a salt mill grinding in the sea. Or, that those mountains are fashioned by a giant god, breathing into life birds, trees and stones. Being didactic creates its own loss, disabling, poor creature with open mouth signing into the world. Leviathans straddling the shapes of their own grammar, splish-splosh. Instead, recall how Benjamin Britten’s This Little Babe translates into your language. Echolalia, how to find narrative accuracy not in the repetition of words, but in timing to music. Caught on quarter inch tape, a reel packaged and sent. “Oh, yes the choral” you nod “that old stereotype”. No, what I reference is the force of me, you, us a power of breath to fall and rise without issuing demands. Being here, colouring a lyric’s final iteration high notes fading against a cupola, the roof of a tin shed, the gambrel of a village hall, all the mercury bubbles unleashed.

Posted on March 17, 2023May 17, 2023 by Seren Books

Friday Poem – ‘Curating a space for anachronistic design’ by Nerys Williams

In anticipation of Mother’s Day and because today is St Patrick’s Day, this week’s Friday Poem is ‘Curating a space for anachronistic design’ by Welsh/Irish poet Nerys Williams from her new collection Republic.

32. Curating a space for anachronistic design
We are mindful of that space where objects retain their usefulness, not yet dated. But no longer telling the current story of our consumption. Until one summer they might be discovered again. Bakelite transmissions PARIS/ BREMEN/ LUXEMBOURG/ DLF/ WDR, the mono cassette player offering better noise that your laptop. A found boxed card, in lurid psychedelic colours celebrating your birth, a letter slips out. In translation:
“Congratulations on your precious gift of a daughter. I am so delighted that you are getting better and healing, I hope that you return home soon. We will come and see you soon, we ask after you frequently. Your mother tells me she is very happy the birth went well. We miss seeing you at the chapel on Sunday and our incidental chats. We had the rehearsal for the Gymanfa Ganu here yesterday and the numbers were low considering three chapels were meeting, however there was considerable amount of eating in the vestry. The weather is still rather mixed, we’ve just started our cut of hay, but it remains to be collected. You are very lucky to have the summer as your season of motherhood, you’ll be able to show your girl the world. I will sign off now and hope that we will have a good chat soon. P.S. and kisses to the baby” (your name misspelt).
Cards that are kept, establish an archive, alerting us to something larger than ourselves. One birth impacts a community– a language. Why cry over the viscose, threads of writing which represent an overflow of feeling? Puffy-eyed you think of those words “a most precious daughter” given by one having none.

Posted on February 27, 2023 by Simon appleby

Guest Post: Listening to Republic – Nerys Williams

As we publish her new collection Republic, poet Nerys Williams gives us an insight into the music which accompanied its writing.

Listening to Republic

Writing Republic I found that post punk music of the 80s and 90s became key in an attempt to articulate a relationship between community, language and culture. Given the current preponderance of School Disco compilations, initially it might seem that retreating to the music of the 80s and 90s is another variant in communal nostalgia. This is not the intention of Republic. I believe that music carries an energy for future action and desire for change. What you learn over the years changes how you listen to those important early albums. Context shifts meaning.

This cover shows a colourful print of a woman dressed in a black hoodie with large bunny ears on the hood. She has dripping dark blue rings around her eyes and stands out against an acid yellow background. The text reads: Republic. Nerys Williams.

Republic is an anti-memoir, it came from a need to transcribe the voices of a community (as opposed to a single voice) and a refutation of the easy and often predictable epiphanies of some memoirs. Music has a voice throughout this volume. Music is not a soundtrack or sonic wallpaper. Some of the lyrics I cite are just as beloved to me as Emily Dickinson’s poetry.

The sounds in this discography list are eclectic – moving from SKA, 80s pop, Welsh language electronica and rave to 90s shoegazing, jazz samba and classical minimalism.

I grew up in a part of West Wales which in the early 80s had an ambivalent relationship to the Welsh language. Welsh bilingual education was still an experiment. The 11+ existed to partition kids. English language music culture was king. Crucially Welsh language post punk music gave me a love of language that no primer could ever do.

In the late 1980s Fideo 9 on S4C, with is wonderful presenter Eddie Ladd, pushed boundaries. It was a relief to watch bands with strong female leads like Fiona Owen of Eirin Peryglus and Patricia Morgan from Datblygu performing in videos and asserting a space for non-rock female personas. Before the web, encountering such bands as Datblygy, Anhrefn, Y Cyrff on the TV and at gigs arranged by Cymdeithas yr. Iaith, felt like finding a community. An outsider Wales which was vibrant and questioning.

The range was broad: moving from the reggae dub of Llwybr Llaethog, the malleable beats of Pop Negatif Wastad and guitar riffs of The Crumblowers to Traddodiad Ofnus’s socialist love letters and Tŷ Gwydr’s dance utopianism. Welsh language music was part of a global community. Datblygu could be cued between Le Mystère Des Voix Bulgares and The Sugarcubes.

Republic offers a full discography. A Spotify playlist accompanies the book giving a sense not only of the period, but also issues that remain. Elfyn Presli’s “Jackboots Maggie Thatcher” and The Specials’ “Ghost Town” have not lost their resonance, or their relevance. There are some bands (especially Welsh bands from the listing above) whose work cannot be located on Spotify. Archive recordings exist on various web platforms (such as Ffarout’s YouTube channel). But I want to stress that Apple Music and Bandcamp offer ways of financially contributing to Welsh bands and labels through subscription downloads.

Writing this, on Welsh language music day 10th February 2023, I am grateful to those 1980s bands who were never able to get any sustainable income from their music, but did it anyhow. I thank those bands who loaded their vans and cars, went cross-country in the cold and rain to visit run down country hotels. I hug those band members who having travelled on B roads, played to drunken audiences. I acknowledge those experimentalists who often faced jeering or apathy. I salute the women who organised gigs and Cymdeithas cells tirelessly. I carry this archive of voices with me (with recent updates).

Nerys Williams

Full Discography (by section number)

Elfyn Presli ‘Jackboots Maggie Thatcher’ The First Cuts Are The Deepest (Words of Warning, 1987)

Grace Jones Island Life (Island, 1985)

Talking Heads ‘Psycho Killer’ Talking Heads: 77 (Sire, 1977)

David Bowie ‘I can’t give everything away’ Blackstar (Columbia, 2016)

Sex Pistols ‘God Save the Queen’ Never Mind the Bollocks: Here’s The Sex Pistols (Virgin, 1977)

The Cure ‘The Top’ The Top (Fiction, 1984)

my bloody valentine ‘only shallow’ loveless (Creation, 1991)

Joy Division ‘She’s Lost Control’ Unknown Pleasures (Factory, 1979)

Ludovicio Einaudi ‘Nuvole Blanche’ Una Mattina (Sony, 2004)

Ludovicio Einaudi ‘Fuori Dal Mondo’ Eden Roc (Sony, 1999)

Frank Sinatra ‘Theme from New York, New York’ Trilogy: Past Present Future (Reprise, 1980)

Beatles ‘Help!’ Help! (EMI, 1965)

Val Doonican Val Doonican Rocks but Gently (Pye, 1967)

Tom Jones ‘Delilah’ (Decca, 1968)

Monkees ‘The Last Train to Clarksville’ The Monkees (Colgems, 1966)

Primitives ‘Crash’ Lovely (RCA, 1988)

Sonic Youth ‘Tunic (Song for Karen)’ Goo (Geffen, 1990)

The Pixies ‘Bone Machine’ Surfer Rosa (4AD, 1987)

Cocteau Twins ‘Lorelei’ Treasure (4AD, 1984)

Bjork ‘Human Behaviour’ Debut (One Little Independent, 1993)

my bloody valentine ‘Cigarette in your Bed’ You Made Me Realise (Creation, 1988)

The Wedding Present ‘A Million Miles’ George Best (Reception, 1987)

The Stone Roses ‘Elephant Stone’ (1988, Silvertone)

The Happy Mondays ‘Step On’ (1990, Factory)

Fred Waring & His Pennsylvanians ‘Dry Bones’ (Decca, 1947)

The Sugarcubes ‘Deus’ Life’s Too Good (One Little Independent, 1988)

Cocteau Twins Heaven or Las Vegas (4AD, 1990)

Adam & the Ants ‘That Voodoo’ (CBS, 1981)

Adam & the Ants ‘Dog Eat Dog’ Kings of the Wild Frontier (CBS, 1980)

The Specials ‘Ghost Town’ (2 Tone, 1981)

Stan Getz and João Gilberto Getz /Gilberto (Verve, 1964)

Bessie Smith ‘Need a Little Sugar in My Bowl’ (Columbia, 1931)

The Sex Pistols Never Mind the Bollocks: Here’s The Sex Pistols (Virgin, 1977)

Datblygu ‘Cristion yn y Kibbutz’ Wyau (Anhrefn, 1988)

The Velvet Underground ‘The Gift’ White Light / White Heat (Verve, 1968)

Barbara Streisand ‘Send in the Clowns’ [from Stephen Sondheim’s A Little Light Music] The Broadway Album (A&M, 1985)

David Bowie Low (RCA, 1977)

New Order ‘Vanishing Point’ Technique (Factory, 1989)

my bloody valentine ‘Instrumental no 2’ (Creation, 1988)

my bloody valentine Isn’t Anything (Creation, 1988)

my bloody valentine ‘Honey Power’ & ‘Moon Song’ Tremolo (Creation, 1991)

Adam & the Ants Kings of the Wild Frontier (CBS,1980)

Soft Cell ‘Tainted Love’ and ‘Say Hello, Wave Goodbye’ Non-Stop Erotic Cabaret (Some Bizzare, 1981)

Duran Duran ‘Last Chance on the Stairway’ Rio (EMI, 1982)

Phil Oakey & Giorgio Moroder ‘Together in Electric Dreams’ Philip Oakey & Giorgio Moroder (Virgin, 1984)

Lush ‘Sweetness and Light’ Gala (1990, 4AD)

Ride Going Blank Again (Creation, 1990)

Lush‘Nothing Natural’ Spooky (4AD, 1992)

Bob Dylan ‘Rainy Day Women #12 + 35’ Blonde on Blonde (Columbia, 1966)

Dyma’r Rysait [An Artists For Animals Compilation]:

Y Gwasgwyr ‘Ond Mae’r Dawns yn Mynd Ymlaen’ https://www.youtube.com/watch?v=jKzLvelr3Xk

Eirin Peryglus ‘Cusanau’r Gwaed’ https://www.youtube.com/watch?v=4by1lP_M6KA

Datblygu ‘Brechdanau Tywod’ https://www.youtube.com/watch?v=grFxHUXOAsQ

Crisialau Plastig ‘Rigor Mortis’ (OFN, 1988) https://www.youtube.com/watch?v=rqxTm24bbXc

Y Cyrff Dan y Cownter (Yn Fyw) (Y Cyrff, 1985) https://www.youtube.com/playlist?list=PLf39b1XYQsKESvv-rybJ8y6gJ40MYyda5

Anhrefn Defaid Wellies a Skateboards (Workers Playtime, 1987) https://www.youtube.com/playlist?list=PLf39b1XYQsKGhOZ5EL4A40nxGAoxOQUb0

Traddodiad Ofnus Welsh Tourist Bored (Constrictor, 1987)

Ffa Coffi Pawb Dalec Peilon (Ankst, 1988) https://www.youtube.com/playlist?list=PLf39b1XYQsKEj6Tgtq6MGHf-GUbFwjCIc

Datblygu ‘Bar Hwyr’ Trosglwyddo’r Gwirionedd (NEON 1983

Datblygu ‘Dafydd Iwan yn y Glaw’ Wyau (Anhrefn, 1988)

Public Image Ltd. Metal Box (Virgin, 1979)

The Fall Bend Sinister (Beggars Banquet, 1986)

The Jesus and Mary Chain Psychocandy (Blanco y Negro, 1985)

Patti Smith Horses (Arista, 1975)

PJ Harvey ‘Send His Love to Me’ To Bring You My Love (Island, 1995)

Madness ‘Shut Up’ 7 (Stiff, 1981)

The Buggles ‘Video Killed the Radiostar’ The Age of Plastic (Island, 1971)

Abba ‘SOS’ ABBA (Epic, 1975)

Elvis Presley ‘There’s a Brand New Day on the Horizon’ Roustabout (RCA, 1964)

The Cure ‘Plastic Passion’ Boys Don’t Cry (Fiction, 1980)

David Bowie ‘Ziggy Stardust’ The Rise and Fall of Ziggy Stardust and the Spiders from Mars (RCA Records, 1972)

The Fall ‘New Big Prinz’ I Am Kurious Oranj (Beggars Banquet, 1988)

Japan ‘Ghosts’ Tin Drum (Virgin,1981)

Joy Division ‘Love Will Tear Us Apart’ (Factory,1980)

Depeche Mode ‘Somebody’ Some Great Reward (Mute, 1984)

Kylie Minogue ‘I Should be So Lucky’ (Mushroom, 1987)

PJ Harvey ‘Sheela-Na-Gig’ Dry (Too Pure, 1992)

Patrick McGee & Honor Blackman ‘Kinky Boots’ (Decca, 1964) https://www.youtube.com/watch?v=FI0v0GCFrjc

Crumblowers Llithro mewn i Ffantasi (Headstun, 1989)

Y Fflaps Amhersain (Probe Plus, 1988) https://www.youtube.com/playlist?list=PLf39b1XYQsKFwISdsbaHyS1qZEsYeDcxx

The Slits Cut (Island, 1979)

Gadael yr Ugeinfed Ganrif [Compilation featuring bands Yr Anhrefn, Elfyn Presli, Datblygu, Traddodiad Ofnus, Igam Ogam] (Anhrefn, 1986) https://www.youtube.com/playlist?list=PLf39b1XYQsKG4ofEn6ZPlbnLmmDSBhr0P

Coldplay A Rush of Blood to the Head (Parlaphone, 2002)

PJ Harvey Let England Shake (Island, 2011)

In her explosive new poetry collection Republic Nerys Williams opens a window on life in rural west Wales during the 1980s and 90s. English and Welsh-language post-punk bands, politics, feminism and family life are thrown together on the page as she questions what makes a republic?

Buy now

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Posted on January 17, 2020 by Simon appleby

Friday Poem – ‘Loie Fuller’s Dancing School’ by Nerys Williams

Our Friday Poem this week is ‘Loie Fuller’s Dancing School’ by Nerys Williams from her collection Sound Archive. Nerys will be performing poems from her collection Cabaret at the Seren Cardiff Poetry Festival as part of the Cardiff Poetry Experiment.

Sound Archive by Nerys Williams uses formal strategies to conjure a complex music, intriguing narratives, and poems full of atmosphere that query identity, gender, and the dream of art as a vehicle for emotion and meaning. Williams confronts our preconceptions about what it might mean to be a woman writing against the background of two formidable traditions: that of Welsh-speaking Wales and of English literature. A thoughtful, subtle and fascinating collection.

Sound Archive is available from the Seren website: £8.99 (or £4.49 whilst our half-price sale is on, ends Sunday 19 Jan)

The Cardiff Poetry Experiment: Irish Women Poets event, hosted by Ailbhe Darcy, takes place at 6pm on Saturday 15 February as part of the Seren Cardiff Poetry Festival. Nerys Williams will read alongside Cherry Smyth and jazz singer Lauren Kinsella. Buy your tickets on the Seren Cardiff Poetry Festival website.

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Posted on November 2, 2018 by Simon appleby

Friday Poem – ‘Marilyn’s Auction House’, Nerys Williams

Our Friday Poem this week is ‘Marilyn’s Auction House’ by Nerys Williams, from her collection Sound Archive.

Sound Archive is Williams’ strikingly original first collection, in which she conjures complex music, intriguing narratives, and poems full of atmosphere that query identity, gender, and the dream of art as a vehicle for emotion and meaning.
In ‘Marilyn’s Auction House’ we join the speaker and her partner as they’re ‘queuing for relics’, thumbing through the brochure for an auction of Marilyn Monroe’s belongings. The poem laces together the mythologised symbols of Marilyn’s image with modern desires and needs.
If you would like to discover more of Nerys Williams’ poetry, you can find several of her new poems in the new issue of Poetry Wales Magazine.

Sound Archive is available from the Seren website: £8.99

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Posted on April 27, 2018 by Simon appleby

Friday Poem – ‘Penguin Love’, Nerys Williams

On Wednesday the world celebrated its cutest holiday, World Penguin Day, so in continued praise of these adorable birds our Friday Poem this week is ‘Penguin Love’ by Nerys Williams.

Taken from Nerys’ 2011 collection Sound Archive, ‘Penguin Love’ is a vibrant and evocative portrait of black, white and yellow – of curiously wistful creatives who stand ‘angled at constellations’ and ache for the gift of a perfect smooth stone – the symbol of budding penguin romance.
Sound Archive was shortlisted for both the Forward Best First Collection Prize and the Michael Murphy Prize, and won the Poetry Now / Mountains to Sea DLR Strong Award. This is a strikingly original debut in which the poet conjures a complex music, intriguing narratives, and poems full of atmosphere that query identity, gender, and the dream of art as a vehicle for emotion and meaning.

Sound Archive is available from the Seren website: £8.99

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Posted on June 23, 2017 by Simon appleby

Friday Poem – ‘Kinetic Melodies’, Nerys Williams

Kinetic Melodies Nerys Williams Friday Poem

This week our Friday Poem is Nerys Williams’ ‘Kinetic Melodies’, from her award-winning debut collection, Sound Archive.

Winner of the DLR Strong Award and shortlisted for both the Forward Prize and the Michael Murphey Prize, Nerys Williams’ Sound Archive is a strikingly original and critically acclaimed first collection of poems. Using formal strategies similar to modernist painting: abstraction, dislocation, surrealist juxtaposition, Williams conjures a complex music, intriguing narratives, and poems full of atmosphere that query identity, gender, and the dream of art as a vehicle for emotion and meaning.
Look out for Nerys Williams’ new collection, Cabaret, out soon from New Dublin Press.

Kinetic Melodies

It is easy to speak of language as ownership,
your purring phonemes are not my right
nor any dialogic imagination.

It is like the time I mixed metaphors
and found myself nude, addressing a crowd
with no immediate

parallel or paradox to flail at.
An empty lectern, a thousand eyes.

Small inconsistencies alert us:
a time to find a colour of saying,
how dialect forms the melody of tall tales.

After storm fields have disappeared
sulphur fills the air where the tree stands.

Here it says I am branch
root and hollow, rub my charcal into clean hands,
serenade me with your speech,
curse the carrion crow below.

Sound Archive is available from the Seren website: £8.99

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Posted on September 4, 2015 by Simon appleby

Friday Poem – Sound Archive

This week’s poem is from Nerys Williams’ debut collection, Sound Archive, which won the 2012 DLR Strong Award.

Sound Archive is the strikingly original first collection of poems from Nerys Williams. Using formal strategies similar to modernist painting: abstraction, dislocation, surrealist juxtaposition, the poet conjures a complex music, intriguing narratives, and poems full of atmosphere that query identity, gender, and the dream of art as a vehicle for emotion and meaning. There is a playful lightness of touch and tone and for every serious inquisition like ‘An Anatomy of Arguments’ or ‘Conversations with Cocteau’, there is a poem that will muse on ‘Canter’s Starstruck Diner, L.A.’ or on the ‘artifacts’ left by Marilyn Monroe, in ‘Marilyn’s Auction House’. Williams confronts our preconceptions about what it might mean to be a woman writing against the background of two formidable traditions: that of Welsh-speaking Wales and of English literature. A thoughtful, subtle and fascinating first collection.

Sound Archive
for Cliff Anderson

It takes patience this piecing
of noise in an archive for voices.

Chronicled on my silver-silicon
a focus of of gravity gone, scene unset.

Tempos in the unthreading
of flight beating.

Misremembered movement
the voice still says:

Do not package me
as an afterthought or a bulletin.

Though I have never been to Spain
I understand attachment theory
and have been told of thanatology.

Raise your glass to this last flourish
as I switch from Andante to Largo

I toast Dubrovnik, Elvis and Chopin
free the slaves of my imagination.

I will wear boaters in the rain
and fill one room with flowers.

I will raise hell in remaining chapels
never searching for injunctions nor pardons.

I will be the sage on the hill
filling in for memorial towers.

I will finish that string quartet
begun at twenty-five.

I will flirt with the ladies at the till
and get my groceries free.

I will smoke over the baby grand
turning to my right for a tumbler of gin.

I will mark a map of all colours felt
frame them into a continent.

There will be methods to my madness
which I will name kinetic imbalance.

On this day
thought is blown over the wall
over trees to the road,

jazzed up and jiving
a bouquet of spectral dandelions
for you to hold.

Order Sound Archive from our website.

Posted on May 20, 2011 by Simon appleby

Nerys Williams Reads From ‘Sound Archive’

Nerys Williams will read from her first poetry collection, Sound Archive, at The Boar House, Laugharne, Monday 23rd May 2011 7pm.

To find out more about Nerys Williams the author and her first poetry collection published by Seren, click the tagged ‘Nerys Williams’ or go to our website – www.serenbooks.com – to find out more!

Listening to Republic

Full Discography (by section number)

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