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Seren at 40: Looking Back – Seren Friendships

As we continue to celebrate our 40th anniversary, our founder Cary Archard looks back at some of the long-lasting friendships which helped Seren grow into the press it is today.

Seren Friendships

Looking back, I’m struck by how important friendships have been to Seren’s progress the last forty years. ‘They came into our lives unasked for’ is the first line of ‘The Uninvited’, the first and earliest poem in Dannie Abse’s Collected Poems. I first met Dannie at a reading soon after he and his wife Joan bought Green Hollows, their home in Ogmore-by-Sea, in the early Seventies. It was the start of a forty year friendship. From the beginning of Seren, Dannie was an enthusiastic supporter, always particularly keen we should encourage and develop our poets. When within a year of start-up, running things from home became physically impossible, my living room already overflowing with parcels of books and a bigger space needed, Dannie offered the use of the annexe to his Ogmore house.

Black and white photo of poet Dannie Abse.
Dannie Abse

Ogmore-by-Sea was a wonderful place to be based. From the upstairs office window you could look across the grey sea to Devon or muse on the terrors of ‘the eternal, murderous fanged Tusker Rock’ (‘A letter from Ogmore-by-Sea’). Across the road was the Craig-yr-Eos Hotel (since turned into flats) where at lunchtimes you could discuss work over a pie and seek inspiration at the bar. Subsequent office locations have never been so romantic or so characterful. Seren’s super modern, hi-fied, all modcons, present office in the middle of Bridgend just doesn’t have the same charm. Looking back it’s tempting to think that life generally was better then, the pace slower, the publishing world kinder. A time when friendship influenced the decisions. Pressure now seems greater. Success however modest has its price perhaps. Dannie has been much missed since his death in 2014.

(A footnote: Dannie’s wonderful autobiographical novel, Ash on a Young Man’s Sleeve set in Cardiff in the thirties and Forties, published in 1954, never appeared on my Cardiff grammar school syllabus; instead for O level we were offered Harrow and the British army in Churchill’s My Early Life.)

From one chance friendship to another. Also in the early Seventies, I found myself teaching English in the Cynon Valley where I had grown up. I’d applied for the post of a history teacher in Swansea but missed the deadline for applications. Some kind officer in the Glamorgan office had noticed I had appropriate qualifications and sent me the details of the English job. I was lucky. Fortunate also to have arrived there just before Mrs Lewis, highly respected and loved Senior Mistress and German teacher, retired. So it was, ‘totally unasked for’, that I became a colleague of Gweno, wife of Alun Lewis (1915-1944), one of Wales’s finest twentieth century writers. At the time, I knew next to nothing about Lewis’s poetry and stories, even though I had grown up in the same valley. And as far as I can remember, his name had never been mentioned in my grammar school education.

Covers of Morlais, Alun Lewis Collected Poems and Alun, Gweno and Fred (John Pikoulis)
Covers of Morlais, Alun Lewis Collected Poems and Alun, Gweno and Freda (John Pikoulis)

Gweno and I became friends. It was a friendship which led to Seren’s most important publishing achievement, namely the publication of Alun Lewis’s Collected Poems, Collected Stories, and his Letters to my Wife. (Lewis is a wonderful letter writer; comparing him to Keats no exaggeration.) When Gweno returned to her family home in Aberystwyth, I often made that steep climb to ‘The Chateau’, a striking red house, high on the hill overlooking the bay. We talked about Alun, the young Cynon Valley boy (he was under thirty when he died in Burma), his family (I got to know Mair his sister later on), her involvement in his second book of poetry, Ha! Ha! Among The Trumpets, her guardianship of his reputation, and the progress of John Pikoulis’s biography. To be entrusted to publish the author’s work by his wife was a remarkable privilege. It was an unforgettable day when on one visit she brought me a packet inside which was a faded manuscript tied in a red ribbon. It was Alun’s copy of his unpublished early novel, Morlais, which Seren published in 2015, Lewis’s centenary. Just in time. Gweno sadly died the year after.

Cary Archard

Dannie Abse: A Source Book is available on the Seren website: £14.99

Morlais by Alun Lewis is available on the Seren website: £12.99

Create your free Seren account and enjoy 20% off every book you buy direct from us.

To celebrate our anniversary we’re asking our readers to share their favourite Seren books from the last 40 years on social media. Tag us in your photos on Twitter, Instagram and Facebook using the hashtag #Seren40.

Find out more about how Seren was founded in our previous Seren at 40 post: In the beginning

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Five Tips for Budding Interns

Our Marketing Assistant, Jess, shares some tips for people seeking work experience in the publishing industry.

I’ve been lucky enough to witness both ends of the spectrum in the publishing industry; I’ve been an intern, and I’ve met several interns since I started working for Seren in December 2014. This doesn’t make me a publishing expert by a long shot, but all the same there are a few tips I can offer to those of you currently seeking work experience in the publishing industry.

1) Think Ahead

Most publishing houses are very busy, and slots for work experience fill up quickly. If you want some work experience for the first week in August, you’re not going to get it if you email a publishing house in the last week of July.

I’d recommend looking into internships around a year in advance. That might sound crazy, but that year will give you plenty of time to plan your transport and possibly your accommodation – all of the major publishing houses are in London, but not everyone lives there!

To give you an idea of the timescale you’re looking at, I interned with Parthian Books in the last week of July 2014, and I first contacted them in September 2013.

2) Look outside London

I know from experience that when you start looking into publishing work experience it can feel like every single publishing house that has ever existed is in London, but that’s not the case at all. If you’re a little concerned about seeking work experience because of your finances – paying to stay in London only to work for free isn’t ideal for most people – there is a solution: look for your nearest independent publishing houses.

There are independent publishing houses all over the UK, without exception; England, Wales, Scotland and Northern Ireland all have their own independent publishing houses, and most of them will accept interns. In Wales alone Seren, Parthian, Honno, and the University of Wales Press all offer work experience.

We’re based in Bridgend, which is ideal for any of you who happen to live or study in south Wales; we’re only 20 minutes away from Cardiff on the train, so we get quite a few students from the Cardiff area, though anyone’s welcome to apply just so long as you’ve completed your A Levels!

Parthian Books‘ Marketing and Editorial Office, where I interned, is based on the Swansea University campus itself, so it’s ideal for those of you who study at Swansea or live in the area.

Honno Press specialises in books written by women and is based in the Aberystwyth Arts Centre – perfect for those of you who live or study in Aberystwyth!

University of Wales Press is based in Cardiff, and is ideal for anyone interested in academic publishing.

3) Research

You don’t have to read every single book that’s ever been published by the company you’re looking into – in fact you don’t have to read any unless you want to! – but at least give their website a little browse so you know the kind of books they publish; if you’re interested in academic publishing, you might not find a fortnight at a publishing house that specialises in children’s fiction all that helpful. (Although I have to admit that, personally, I think experience is experience, and you might discover a real passion for an area of publishing you hadn’t even considered before if you try something new!)

4) Don’t panic, Mr. Mainwaring!

When you at last secure that internship, I know it can be a little nerve-wracking stepping into a professional environment, no matter how many part time jobs you’ve had. Just remember: it’s work experience. Nobody expects you to be an expert in the publishing industry, otherwise there’d be no point in work experience at all, so don’t be afraid to ask questions – in fact we love it when people ask questions! The interns that want to know more about the industry are the interns we tend to remember most vividly, and if you make a real impression you might find yourself being considered for a job a little further down the line.

So smile, talk to us and ask questions – we don’t bite!

5) Do it all again!

Never stop looking for work experience, because every placement looks impressive on your CV, regardless of what it is. Perhaps you do a week of work experience in publishing and then a week on a hotel reception desk – that’s not going to lower your chances of getting a job in publishing! All that shows is that you’re willing to work; trust me, nothing will put your potential boss off hiring you more than a huge gap on your CV where you haven’t been at university, haven’t been employed, and haven’t done any internships or voluntary work.

The more work experience you do, the more networking you’ll do, and if you manage to secure several bouts of work experience in various different publishing houses you’ll have a whole host of professionals under your belt, and if they can’t offer you a job they can at least give you a glowing reference.

Tl;dr: Plan in advance, look all over the UK, do your research, ask questions, and keep on looking!

Good luck!

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Independent Bookshop Week 2015

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This week it’s Independent Bookshop Week! But I’m sure you already knew that, because you’re all good eggs.

From the 20th-27th June it’s Independent Bookshop Week in Britain and Ireland. Part of the Books Are My Bag campaign, the celebrations include reading groups, author signings, and literary lunches, amongst other things, all across the country, with the aim of encouraging people to visit, and buy from, their local independent bookshop.

And you can join in!

Seren are an independent publishing house, and as such we’re delighted to have the chance to celebrate Britain’s independent bookshops. So if you’re feeling especially supportive when you pop down to your independent bookshop of choice this week, why not buy a book published by an independent publisher, too?

Here are some of our favourite independent bookshops, many of whom stock Seren titles!

Richard Booth’s Bookshop, Hay-on-Wye

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Palas Print, Caernarfon

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The Hours, Brecon

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Griffin Books, Penarth

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Book-ish, Crickhowell

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Books & Pontyclun, Pontyclun

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The Chepstow Bookshop, Chepstow

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Cover to Cover, Swansea

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Rossiter Books, Ross-on-Wye

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Booka Bookshop, Oswestry

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Burway Books, Church Stretton

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Find out more about Independent Bookshop Week by following the campaign on Twitter at @IndieBound_UK, and don’t forget to follow us at @SerenBooks, too!

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Revealing the Independent Publishers

Last week we put together some logos of six different independent publishers, some of them British and some of them not, to see if you could identify any of them by their logos alone. Today we’re going to reveal which publishers those logos belong to, and tell you just a little about them!

persephone books

Persephone Books was founded in 1999 by Nicola Beauman, whose original concept was to publish a handful of lost or out-of-print books each year. The majority of these books would be inter-war novels and short stories written by women, and so the name Persephone was chosen as a symbol for female creativity. Though they sell the majority of their books online, they also have a bookshop in London where they are based.

honno_logo

A little earlier, Honno Press was founded by a group of volunteers in 1986 who wanted to increase the opportunities for women in the realms of Welsh publishing. They asked for support from the Welsh public, and in the first 6 months 400 people became shareholders in the company. To this day they still only publish work by the womenof Wales, and have published everything from fiction to poetry to non-fiction. They are based in Aberystwyth.

tpp

Twelfth Planet Press are a little further afield – in Australia, to be exact! Founded in 2009 and based in Yokine, Western Australia, Twelfth Planet Press specialises in speculative fiction, whether it’s Fantasy, Science Fiction, Horror, or any sub genre in between! Their aim is to publish fresh fiction away from the typical work seen in the speculative fiction genre today, as well as to promote Australian fiction to a wider audience and give a louder voice to women writers.

2ravens

A little closer than that, Two Ravens Press is based in Scotland. Founded near Ullapool in 2006, they later moved to the Port of Ness in 2013. Quite possibly the most remote independent publisher in Britain, they publish contemporary literary fiction, non-fiction and poetry, some of which has won a variety of major literary awards.

gomer

Back to Wales now, to a publisher who may be a little more familiar to many of you. Gomer Press was founded back in 1892, and to this day it’s still run by the same family! They specialise in English and Welsh books for both children and adults, whether it’s fiction, non-fiction or poetry, and are based in Llandysul, west Wales.

Mercier

Based in Cork, Mercier Press are Ireland’s oldest independent publishers, having been around since 1944. Mercier rose to prominence publishing books which explored topics such as religion, women’s rights, domestic violence, the sexual revolution and drug abuse, some of which had previously been banned in Ireland. They publish both fiction and non-fiction, and offer an alternative voice to the Irish publishing world.

So, did you guess any correctly?

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How Well Do You Know Your Independent Publishers?

When you go iPrintnto a bookshop and see our signature star on one of the spines, we hope you immediately think of us and know that the book you’re about to pick up has been published by an independent publisher that prizes quality over quantity and individuality over hype.

But how well do you know your independent publishers? If you were given nothing but a logo, could you identify a specific publisher?

Below are the logos of six independent publishers – some of them are British, and some of them are international – how many of them do you know? Leave your guesses in the comments below. You have until next week!

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Happy Indie Book Day!

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Our Marketing Assistant, Jess, shares her thoughts on why it’s worth supporting our independent publishers.

Today it’s Indie Book Day!

In a world where the big names in publishing are producing bestsellers and you can sit back and wait for an online store to deliver them to your house, why should we support our independent businesses?

The first thing we must remember about publishing is that it’s a business like any other. Businesses succeed when they make money, and they make money by producing products that sell. When something is successful in the publishing world, it appears in everything; would vampires have been everywhere were it not for the commercial success of Twilight? No. Would dystopia have made a comeback were it not for the popularity of The Hunger Games? Definitely not.

This isn’t bad by any means. Publishers will only produce what is selling, and if a particular genre or sub-genre is selling then we can assume that it’s also being read and enjoyed because, ultimately, publishers wouldn’t exist without their readers. However, for the readers out there who aren’t interested in the hype – the readers who don’t like vampires and have enough problems with their own government to worry about anyone else’s – it’s easy to get a little lost when it comes to finding what you want to read next. How are you supposed to find those hidden gems when they’re rarely being talked about?

For the independent publisher, however, the hidden gem is their specialty. The independent publisher can watch the hype, even support it, and then publish books that they believe are worth reading, regardless of whether or not they fit into what’s currently most popular. When you support your independent publisher, what you’re also supporting is individuality. You’re supporting books that might not otherwise get the attention they deserve because they don’t include male leads who sparkle.

I won’t go so far as to say independent publishers are ‘better’, because frankly I think that’s petty, but they are businesses that produce content for the readers out there who want something just a little different. It’s for that reason that I’m proud to work for an independent publisher, and I hope you’re proud to support them.

Happy Indie Book Day!