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Friday Poem – ‘Poem in Which She Wears Her Favourite Wedding Dress’ by Katrina Naomi

This week’s Friday Poem is ‘Poem in Which She Wears Her Favourite Wedding Dress’ by Katrina Naomi from her new collection Wild Persistence.

Wild Persistence by Katrina Naomi is a confident and persuasive collection of poems. Written following her move from London to Cornwall, it considers distance and closeness, and questions how to live. She dissects ‘dualism’ and arrival, sex and dance, a trip to Japan. The collection also includes a moving sequence of poems about the aftermath of an attempted rape.

“Funny, moving, surprising, unflinching and, above all else…joyous.” – Helen Mort

Wild Persistence is available on the Seren website: £9.99

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Join us for the virtual launch of Wild Persistence on Thursday 11th June at 6:30pm live via the online platform Zoom. Email [email protected] for the link details. 

Watch Katrina read her poem ‘Maybe Owls’ on our Youtube channel:

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Guest Post – Katrina Naomi: One week in

Today we have a guest post from poet Katrina Naomi who shares some of the things she has been doing to keep positive during this strange time.

One week in

It’s been a week since I had to abandon a holiday at my sister’s to come back home to Cornwall. Like most people, I’m still trying to get my head around what’s happening, and the situation shifts every day. I have a collection, Wild Persistence, coming out with Seren on 1 June, although the date for this might change.

Everything is changing, everything is uncertain. It’s the uncertainty that I – and many others – am finding so hard.

A few days back, I don’t mind admitting I had a major wobble. I was tearful when I wrote first thing and I found myself crying while making soup at lunchtime. It was the day when the first (or maybe second or third, it’s hard to keep track) restrictions came in. I was worried about money – all my income comes from poetry – and I was missing seeing friends. All the losses started to pile up.

Walking usually helps me find some sort of balance. I went out for a walk with my partner that afternoon. We walked in woods and fields near our home in Penzance, I sat by a stream, listened to jackdaws and watched two heifers jostle with each other. I sat for about 10, maybe 15 minutes, and I felt better, not brilliant, but better. We came home and I decided to paint the walls – it was that or climb them. I’ve done a lot of painting since – the stairs, the mouldy bits in the kitchen and bathroom. I’ve enjoyed having another focus and felt more positive – and reminded myself that I have my health and partner and so many other wonderful things in my life.

In a more positive frame of mind, I’ve been developing some sort of routine for my days. I’ve been telling myself that uncertainty is a useful thing for poetry. I never sit down to write a poem having any idea where it’s going to go, I have to allow the poem to happen and trust where my subconscious, odd ideas, bits of film, overhead conversations, and pen, take me. Of course, not every poem goes anywhere and that’s also fine. I’m trying to develop this more open attitude towards life and where it’s going to take me – and take all of us – in the week and months to come. But a routine still feels helpful and here’s what I’ve set up for myself. It can change, it might have to change, depending on how things go:

I’ve been reading poetry and writing first thing. The resulting poems are dire but I don’t mind. I’m just glad to be writing. Then I walk for a couple of hours. This week, we’ve had a really low tide, so I’ve been walking from Penzance harbour towards Marazion on the sand, all the way. Yesterday I walked with a good friend, keeping our distance, we had to shout to each other in the wind – it’s often windy in West Cornwall. After lunch, I’ve been doing emails, checking proofs and – before things tightened down – going on another walk around teatime, usually around the harbour and through the near-deserted town. I come home and do some yoga, eat and read. In the evenings, I’ve been talking to friends on the phone, reading novels and dancing to the radio in the freshly-painted kitchen. Thank you to my local library and Radio 6 Music.

Katrina Naomi

Katrina Naomi’s first collection The Way the Crocodile Taught Me is available on our website: £9.99

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Happy International Women’s Day 2020!

Over the year’s we’ve been fortunate enough to work with a long list of fantastic female authors, all of whom bring something unique to the Seren list. There are too many to mention each by name in a single post, and so for International Women’s Day 2020 we’re shining a light on some of the women writers we are publishing in the first half of this year. Keep an eye out for their books coming your way soon.

Katherine Stansfield
We Could Be Anywhere By Now, March 2020

Katherine Stansfield grew up in Cornwall and now lives in Cardiff. Her poems have appeared in The North, Magma, Poetry Wales, The Interpreter’s House, And Other Poems, Butcher’s Dog, and as ‘Poem of the Week’ in The Guardian. Katherine’s debut collection Playing House (2014), a pamphlet All That Was Wood (2019), and her second full-length collection We Could Be Anywhere By Now (March 2020), are all published by Seren. She is also a novelist, with five novels published to date. Her latest titles are The Mermaid’s Call (third in her historical crime series set in Cornwall in the 1840s) and Widow’s Welcome (a political fantasy novel co-written with her partner and published under the name DK Fields). Katherine is the recipient of a Writer’s Bursary from Literature Wales. She teaches for the Open University and is a Royal Literary Fund Fellow.

Cath Drake
The Shaking City, March 2020

Cath Drake lives in London and has been published in anthologies and literary magazines in the UK, Australia and US. Sleeping with Rivers won the Mslexia Women’s Poetry Pamphlet Competition in 2013 and was a Poetry Book Society Choice. She has been short-listed for the Manchester Poetry Prize, and was second in the 2017 Resurgence Poetry School Eco-poetry Prize (now called Ginkgo) and highly commended in the same prize in 2019. Her work has included campaigning, copywriting and storytelling for good causes, environmental writing and award-winning journalism.The Shaking City, forthcoming from Seren at the end of March 2020, is her first full collection.

Sarah Wimbush
Bloodlines, March 2020

Sarah Wimbush comes from Doncaster and currently lives in Leeds. After winning the Yorkshire Post Short Story Competition in 2011 she began writing poetry. Her poems are rooted in Yorkshire with tales of childhood, colliery villages, and Gypsies and Travellers, and they have appeared in a variety of magazines including; the North, The Rialto, The Interpreter’s House, Stand and Strix. She won first prize in the Red Shed Poetry Competition 2016, and second prize in the Ledbury Poetry Competition 2019 where the judge, Daljit Nagra, described her poem as ‘linguistically charged’. A winner of both the Mslexia Poetry Competition (2016) and the Mslexia Poetry Pamphlet Competition (2019), she received a New Writing North – New Poets Award in 2019. Her debut pamphlet Bloodlines (Seren, March 2020) is the winner of the Mslexia/PBS Women’s Poetry Pamphlet Competition 2019.

Sarah Philpott
The Seasonal Vegan, April 2020

Sarah Philpott is a freelance copywriter and proofreader for a variety of organisations, and a fluent Welsh speaker who has appeared on S4C and ITV Wales to talk about vegan cooking. She is a regular guest on Radio Cymru, has written for Wales Online and writes restaurant reviews for the Wriggle app and website. She has a recipe column in Cardiff Now magazine and was featured in an article about vegetarianism in the Sunday Telegraph magazine, Stella. Sarah also has a vegan food blog, Vegging It. Her first vegan cookery book, The Occasional Vegan was published in 2018 and her second The Seasonal Vegan is forthcoming from Seren this April.

Kate Noakes
Real Hay-on-Wye, May 2020

Kate Noakes is a poet whose seventh and most recent collection, The Filthy Quiet, was published by Parthian in 2019 and was reviewed by the Poetry Book Society. Her work has been widely published in magazines in the UK, Europe and beyond. She was elected to the Welsh Academy in 2011. She lives in London where she acts as a trustee for writer development organisation Spread the Word. She reviews poetry for Poetry London, Poetry Wales, The North and cultural website London Grip. She can be found reading from her work all over the country, notably most recently at the 2019 Aldeburgh Poetry Festival. Kate has degrees from Reading University and the University of South Wales. She teaches creative writing workshops in London and beyond and offers one to one poetry coaching. Real Hay-on-Wye (May 2020) is her first non-fiction title.

Katrina Naomi
Wild Persistence, June 2020

Katrina Naomi has published four pamphlets of poetry, including the Japan-themed Typhoon Etiquette (Verve Poetry Press, 2019). Her collection The Way the Crocodile Taught Me, (Seren, 2016) was chosen by Foyles’ Bookshop as one of its #FoylesFive for poetry.  Katrina was the first writer-in-residence at the Brontë Parsonage Museum in W Yorks, and since then has been poet-in-residence at the Arnolfini, Gladstone’s Library and the Leach Pottery. Her poetry has appeared on Radio 4’s Front Row and Poetry Please, BBC TV’s Spotlight and on Poems on the Underground. In 2017 she was highly commended in the Forward Prizes. She has a PhD in creative writing (Goldsmiths) and tutors for Arvon, Ty Newydd and the Poetry School. She received an Authors’ Foundation award from the Society of Authors for her new collection, Wild Persistence (June).

Rhian Edwards
The Estate Agent’s Daughter, June 2020

Rhian Edwards is a multi-award winning Welsh poet, renowned for bridging the gap between page and stage poetry. Her first collection Clueless Dogs (Seren) won the Wales Book of the Year 2013, winning the hat-trick of prizes. It was also shortlisted for the Forward Prize for Best First Collection 2012.  Rhian also won the John Tripp Award for Spoken Poetry, winning both the Judges and Audience award. Rhian’s pamphlet Parade the Fib (Tall Lighthouse) was awarded the Poetry Book Society Pamphlet Choice for autumn 2008. Rhian’s poems have appeared in The Guardian, TLS, Poetry Review, New Statesman, Spectator, Poetry London, Poetry Wales, Arete, the London Magazine, Stand and Planet. Her second collection The Estate Agent’s Daughter is forthcoming from Seren in June.

Sue Gee
Just You and the Page: Twelve Writers and their Art, June 2020

Sue Gee is a novelist and short story writer. She has published eleven novels, including The Hours of the Night (1995), winner of the Romantic Novel of the Year award, The Mysteries of Glass (2005), long-listed that year for the Orange Prize, and Reading in Bed (2007) a Daily Mail Book Club selection. Her most recent novel is Trio (2016). She ran the MA in Creative Writing at Middlesex University from 2000-2008 and was awarded a Royal Literary Fund Fellowship at the University of London Graduate School in 2008. Since 2010 she has taught at the Faber Academy, and worked as a mentor for the Write to Life group at Freedom from Torture. With the novelist Charles Palliser she has for some twenty years run monthly author events at Stoke Newington Bookshop, under the umbrella N16 Writers & Readers. She is a frequent contributor to Slightly Foxed.

Jayne Joso
Japan Stories, June 2020

Jayne Joso is a writer and artist who has lived and worked in Japan, China, Kenya and the UK. Now living in London, she is the author of four novels, including My Falling Down House (2016) and From Seven to the Sea (2019). Her journalism has been published in various Japanese architectural magazines and in the UK’s Architecture Today magazine. She has also ghost written on Japanese architects for the German publisher, Prestel Art. She is the recipient of the Great Britain Sasakawa Foundation Award, given to artists whose work interprets Japan to other cultures and was longlisted for the Rathbones Folio Award 2017. Her forthcoming short story collection Japan Stories (Seren, June 2020) reveals Japanese life in city and countryside through a variety of characters notable for their shared humanity.

 

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Katrina Naomi shares her poetry advice

This week’s poetry advice blog comes from Katrina Naomi author of The Way the Crocodile Taught Me. Katrina is a poet, tutor, critic, mentor and translator who lives in Cornwall. Her poetry has appeared on Radio 4’s Front Row and Poetry Please, BBC TV’s Spotlight and is currently included in London’s Poems on the Underground. Her next collection is forthcoming in 2020.

The Way the Crocodile Taught Me Katrina NaomiThe Way the Crocodile Taught Me, is a vibrant, heartfelt and tragi-comic collection of poetry. With warmth, flair and a certain ferocious wit, Naomi tears into her subject matter: a childhood fraught with family dislocation, upsets and even occasional violence, and finds, through her art, moments of grace, humour and redemption. It will delight people who know Naomi’s work and undoubtedly win new fans for her courageous and unabashedly entertaining poems.

What first drew you to poetry?

I came to poetry by mistake. I was trying to write about something I really cared about and found that I’d written a poem.

Where do you look to for inspiration?

Art, walking, film and other poets.

What poets or writers inspire you?

There’s so many! One poet who always inspires me is Peter Redgrove.

How do you balance writing poetry with working? If you write full time, what made you decide to do so?

I do write full time, I found that when I was working in my former human rights job, that I was spending longer and longer lunch breaks writing poems. Something had to give. I thought I’d take voluntary redundancy and see if I could get anywhere with my poetry. That year I won a poetry competition and was published soon afterwards. So I’ve kept going.

How do you prepare yourself before sitting down to write?

I usually read another poetry collection for about 20 minutes, or I copy out a poem that I really admire. This gets me to slow down and really look and think.

What methods do you use to overcome feeling disheartened or to keep positive?

I talk to my partner or close friends when I’ve had a disappointment. Also, I often write about the disappointment and see if I can turn it into some other beast. That helps!

 

Katrina’s collection The Way the Crocodile Taught Me is available on the Seren website: £9.99

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Friday Poem – ‘Countrywoman’, Katrina Naomi

Our Friday Poem this week is Katrina Naomi’s ‘Countrywoman’, which was released yesterday, having been specially commissioned for National Poetry Day.

Katrina Naomi poetKatrina Naomi is the author of three poetry pamphlets and two full collections. Her latest is The Way the Crocodile Taught Me (Seren, 2016). Her next collection will be published by Seren in 2020, and is supported by a 2018 Authors’ Foundation grant from the Society of Authors.

The poem ‘Countrywoman’ was commissioned by BBC local radio, working in partnership with National Poetry Day. It is written in response to a BBC Radio Cornwall listener’s story. A video of Katrina reading the poem was broadcast on BBC Spotlight, and the film is available to view on Katrina’s website.

 

Friday Poem Countrywoman Katrina Naomi

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Find out more about Katrina Naomi on the Seren website.

 

 

 

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Friday Poem – ‘Letter to my Mother’, Katrina Naomi

Friday Poem Letter to my Mother Katrina Naomi

We are thrilled that the Society of Authors has just awarded Katrina Naomi an Author’s Foundation grant to help complete work for her second Seren collection, due in 2020. In celebration, our Friday Poem this week is taken from Katrina’s previous book, The Way the Crocodile Taught Me, which we published in 2016.

The Way the Crocodile Taught Me Katrina Naomi‘Letter to my Mother’ is ripe with anger, sorrow and the burden of time. It is not just the weight of years though, but the physical mass of the speaker’s stepfather that dominates, despite his long-ago death: ‘All these years, his 17 stones/ pressing down on you’.
The poems in The Way the Crocodile Taught Me often confront difficult figures and past trauma with a tragi-comic slant, resulting in intense and intimate portraits that are at once heartbreaking and hilarious. We often find, as in ‘Letters to my Mother’, that interspersed with the awful,  there are moments of contemplation, redemption, realisation.

 

 

Friday Poem Letter to my Mother Katrina Naomi

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Way the Crocodile Taught Me is available from the Seren website: £9.99

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Friday Poem – ‘The Romantic’, Katrina Naomi

Friday Poem The Romantic by Katrina Naomi

Our Friday Poem this week is ‘The Romantic’, from The Way the Crocodile Taught Me by Katrina Naomi, who has just been shortlisted for B O D Y’s ‘Best of the Net’.

The Way the Crocodile Taught Me is a heartfelt and tragi-comic portrayal of a fraught childhood and adolescence. Central to the book are two sequences: one about a quick-tempered stepfather – a 17-stone brute, “mostly in a temper”, and the other about a kindly but also comically old-fashioned grandmother.
‘The Romantic’ recalls the poet’s lost father, and the deep emotional fissures he left behind.

 

 

Katrina Naomi poem The Romantic

 

 

 

 

 

 

 

 

 

 

 

 

The Way the Crocodile Taught Me is available from the Seren website: £9.99

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Friday Poem – ‘Boredom: An Appreciation’, Katrina Naomi

The Way the Crocodile Taught Me Katrina Naomi

This week’s Friday Poem is taken from Katrina Naomi’s The Way the Crocodile Taught Me.

‘Boredom: An Appreciation’ perfectly captures the glory of days lazily spent. In stark contrast to the darker themes present in this collection, Katrina Naomi here paints a luxurious portrait of the strange joys mundane activities can provide.

The Way the Crocodile Taught Me is Katrina Naomi’s second collection, and paints a heartfelt and tragi-comic picture of a fraught childhood and adolescence. The tone of the work is as much tender as turbulent, reflecting the protagonist’s travails. Interspersed with the awful there are moments of humour, of contemplation, redemption, realisation: these are pointed, lively and always entertaining poems.

 

Boredom: An Appreciation

The heavy-shouldered clock of morning,
those slender hands never reaching
past the hours of brown wallpaper.

I don’t have time for boredom now,
to stare at the gas in the fire,
as if I could study flames,

to let my thoughts drift on their thermal,
unharnessed, as if they were never mine –
never could be.

Might I long for a Westgate afternoon,
waiting for the yellow lights
of evening, knowing day had melted –

the dark toffee of it – to listen
to the hiss, the end of the cassette,
re-reading my diary, its brief entries.

And if I sit here long enough,
could I wonder where that jet goes
with its teatime, pinkish trail,

imagine being a passenger,
the tedium of that life,
while I bite the ends of my hair.

 

Buy your copy of The Way the Crocodile Taught Me now: only £4.99 (half price) until 13 January in the Seren January Sale.

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Friday Poem – Yellow Dahlias

The Way the Crocodile Taught Me Katrina Naomi

Yesterday saw us at the Admiral Benbow in Penzance for the launch of Katrina Naomi’s The Way the Crocodile Taught Me, and so this week’s Friday Poem is taken from this gorgeous new collection. If you missed Katrina in Penzance, you have another chance to hear her read on 17 May, when we will be at The Yorkshire Grey, London, for a second launch event. You can find the full details on our website.

The Way the Crocodile Taught Me Penzance launch
Katrina Naomi’s book launch, Admiral Benbow, 14 April

the way the crocodile taught meThe Way the Crocodile Taught Me is a heartfelt and tragi-comic portrayal of a fraught childhood and adolescence. Central to the book are two sequences: one about an awful stepfather, and the other about a kindly but also comically old-fashioned grandmother. A mother appears, distant, glamorous as a film star. An absent father is also a dream: “After my father left, I grew/ a battery of hearts,/ felt each of them beat,/ like doves in a casket/”. These family poems are both heartbreaking and often hilarious, sometimes both at once.

 

Yellow Dahlias

This is the image that sticks:
my married mother, her costume cut
low and high, one foot below

the impossible blue of a honeymoon pool,
the other poised on the metal step;
her face, fresh of make-up,

brows plucked in static surprise,
eyes wide with the rubber pull
of yellow dahlias, her new ring and bracelet.

A triumph. My mother emerging
from the water as I’d never seen her before.
Her head, a belisha beacon of hope.