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Friday Poem – ‘Limousin, Lascaux’ by Jane Lovell

Our Friday Poem this week is ‘Limousin, Lascaux’ by Jane Lovell, which appears in her pamphlet This Tilting Earth, winner of the 2018 Mslexia and Poetry Book Society Women’s Pamphlet Prize.

In This Tilting Earth, J​​ane Lovell’s poems are both beautiful and disturbing. A deep feeling for the natural world is aligned with an acute lyric sensibility, as well as a profound ethical awareness of our responsibility for the planet and the devastation of its landscapes and vulnerable species.

‘Jane Lovell’s poems are crafted with a jeweller’s precision. They make visceral connections with the wild in a language all of her own.’ –James Roberts​

This Tilting Earth is available from the Seren website: £5. 

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Maria Donovan Shortlisted for Hall & Woodhouse DLF Writing Prize

This cover shows a line illustration of a soup pot boiling on a stove. The top of the cover has an orange background with the words The Chicken Soup Murder over the top. By Maria Donovan.

We’re delighted to hear that The Chicken Soup Murder was named the runner-up at the awards ceremony held in July. 
Seren author Maria Donovan has been shortlisted for the Hall & Woodhouse DLF Writing Prize. The prize, which runs as part of the Dorchester Literary Festival, carries on the festival’s long tradition of celebrating and investing in it’s ‘homegrown talent’ and is open to any published author based in or with a close connection to Dorset, Somerset, Wiltshire, Devon or Cornwall. It’s therefore no surprise that Dorset based Maria’s debut novel The Chicken Soup Murder has been chosen alongside books by Susmita Bhattacharya, Dee La Vardere and Emma Timpany.
Read about Maria’s reaction on her blog here.
About the book:
Maria Donovan’s debut novel, The Chicken Soup Murder, subverts the crime and murder mystery genres in a meditation on bereavement, friendship and the meaning of family. This emotionally involving coming-of-age narrative is told with resilience and humour by eleven-year-old Michael, a thoughtful boy who tests the boundaries of his own behaviour as he carries a burden of knowledge no one else seems willing to share.
Praise for The Chicken Soup Murder:
‘This is a great story, told with sensitivity, and a first class an eye for comedy. A memorable read.’ – Rubery Book Award
‘Handled with great sensitivity, this has great comedy, exciting developments and very moving moments, right through until the nicely worked solution to the mystery.’ – The Daily Mail
‘The Chicken Soup Murder is a thought provoking, yet gentle heartfelt hug of a tale, and a very lovely read indeed.’ – Love Reading
The Chicken Soup Murder is available on the Seren website: £9.99 

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Jonathan Edwards wins the People’s Choice Award at Wales Book of the Year

In a ceremony held on then 20th June 2019, it was announced that poet Jonathan Edwards has captured the imagination of the public, once again, to win the Wales Book of the Year People’s Choice Award with his latest collection Gen. The public had until the 7th June to vote for their favourite book from the full Wales Book of the Year shortlist which included poetry, fiction and creative non-fiction titles.
“The one thing that every poet dreams of when they sit down to write is that one day a reader will connect with, enjoy and be moved by their work, so an award like the Wales Arts Review People’s Choice Award is an absolutely wonderful thing to receive,” says Edwards. “I am hugely grateful to everyone who took the time to vote and to all of the organisers of festivals, readings and workshops who have given me the opportunity to get this book out to readers. Enormous thanks to Literature Wales for organising such a brilliant celebration of writing from Wales.”
Gen is Jonathan’s second collection of poetry with Seren, his first My Family and Other Superheroes having won the Costa Poetry Prize in 2014.
Poetry editor, Amy Wack said, “We love smart at Seren but we also embrace the smart AND the popular! Congratulations to Jonathan Edwards and his wonderful collection Gen.”
Gen is available from the Seren website: £9.99

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Short Story of the Month | ‘The Purging’ by Drew Martyn

Our new Short Story of the Month is ‘The Purging’ by Drew Martyn.

 

‘One cloud and a couple of vapour trails lazed against a heat-paled blue sky and a warm afternoon slid slowly into evening; I was aware of none of it. I was seventeen and cool, she was sixteen and hot: that’s all you can see at that age.’

In the lazy days of summer, two teenagers are forced to grow up quickly as they are thrown into the real world by events beyond their control.

 

Drew and his family live in Wales where he enjoys writing, football, music and real ales. He’s had dark fiction published in a number of print anthologies including Horror Library volume 5 and Fortune: Lost and Found as well as online and in magazines including Isotropic Fiction and Dark Tales. In Heroic Fantasy Quarterly (May 2017) he toyed with sword and sorcery prose-poetry. In the past he’s also contributed articles and conducted interviews for a UK soccer website. If asked about inspiration, he’d witter on forever about Ray Bradbury, William Trevor and especially Georges Perec, so probably best not to…

 

The Purging

This is an extract. Read the full short story for free on the Seren website.

One cloud and a couple of vapour trails lazed against a heat-paled blue sky and a warm afternoon slid slowly into evening; I was aware of none of it. I was seventeen and cool, she was sixteen and hot: that’s all you can see at that age.

Her name was Alison. She had a body to turn heads and a face to turn hearts, and I swallowed hard and said something inane at the first smile she gave me. It was summer holidays, no school, time for fun. Time for growing up into the real world – and I had a lot of growing up to do and not much time to do it in.

She took me home to meet her family.

I’d heard a few things about them, mostly from Alison. That was ok: listen to her stories and her family were okay. But I heard rumours too. And then someone told someone else who told someone who told me… and those rumours I didn’t like one bit.

But, anyway, we were here, walking onto her estate. The people we passed looked surprisingly ok. Normal. They didn’t have two heads, or bite the heads off kittens or carry machetes or grenades. They didn’t snarl or even growl as we walked past. Most of them didn’t even frown.

It was a typical housing estate: a warren of streets, narrow alleys and short cuts, cars half-off half-on the pavement, some tidy front gardens, a few of them anyway, some just rubbish tips for the couldn’t care less brigade.

“My house is just up here,” Alison said as we turned a corner. I slowed the pace.

“It’s ok,” she reassured me, laughing. “Honest.”

We passed a few bedraggled houses, the ubiquitous mattress in one of the front gardens, a rusty pram in another. And then, for no apparent reason, the houses suddenly looked cleaner, more looked-after. It took me a few yards to realise it was because they didn’t have flaking paint on the doors and windows. And the cars were parked properly. And the lawns were mowed. Lawns? I realised these houses here had the first grass and flowers in front of them that I’d seen on the estate.

“Mine,” said Alison, opening a wrought iron gate. It squeaked a bit as we walked through. I suppose it had to give some sort of nod to the neighbourhood. Or a warning to those inside the house.

That thought both scared me and made me realise I was being a snob. Ew no; one didn’t tolerate unoiled hinges where I came from, certainly not.

I can be a prat sometimes, I reminded myself.

On the other hand this house even had coaching lamps, shiny and polished, each side of the front door. Nice. Bit over the top, common maybe, but nice.

I can be judgemental, too. Goes with being a prat.

Shit, she was opening the front door! I hung back but she grabbed my hand and pulled me along like some toy dog. A waft of soap and Brut hit me as we walked in. I was about to meet the family.

 

This is what I knew of them:

Da had a reputation that could scratch diamonds, and fists to match. This town was his town.

Ma loved her own. For everyone else there were razors and bullets, mostly wielded by her tongue. Mostly (apparently).

Big brother Paul took one look at me and said: “Get her pregnant and you marry her, or you’ll never see her again.” This wasn’t a threat, this was a vision.

I didn’t listen. I didn’t care. After all, I reasoned, what’s sight worth, when love itself is blind? Oh yeah, I’m a romantic. Bit of a poet, me.

In other words, an all round total prat.

 

Inside, her house gave no indication of being anything special. It looked sort of nice. Tidy, like. No dead bodies. No suitcases full of money. And definitely no guns.

“Hi Da,” said Alison.

Da stood in front of a large sideboard mirror shaving with a cutthroat razor, a bowl of soap suds in front of him, his white vest splashed grey with soapy water, his braces hanging to his knees.  A radio in an upstairs room spoke loudly of last year’s moon landing and something about The Beatles disbanding.

As soon as I appeared, Da turned into a statue, the razor blade slicing my reflection, only his eyes moving, following me.

“You Mike?”

“Yessir.”

Even if I wasn’t, I’d have had to say “Yessir” to that voice.

“Don’t call me ‘Sir’. Don’t call nobody ‘Sir’. When you’re with my girl, other people call you ‘Sir’. Understand?”

I almost said “Yessir.” Instead, I said “So they should.”

It was the right thing to say. He chuckled and carried on shaving.

“Thanks Daddy!” Alison said, grinning.

Mam called out “Alison” and Alison led me into the kitchen. Mam wiped her hands on a tea-towel and threw it onto the sink before turning around to face us.

She looked at me for a second, then “Why don’t you sit down, love?” in a way that said, quietly and gently, “Sit down or I’ll rip your throat out.”

So I sat down.

She looked me up and down. Like Alison, she had big blue eyes, but Mam’s were a mother’s eyes, an assessor’s eyes, looking for weapons and chinks in armour.

I looked at Alison.

Mam leaned forward. That meant “Stop looking at her. Look at me, good boy!”

She said “Still in school, love?”

I nearly lied, saying I had a job, maybe that would go down better. Mothers liked that sort of thing: mature young man and all that.

What came out was “Yes, I am.”

Mam’s eyes smiled then and she nodded. “It’s good you didn’t lie to me,” she whispered. I felt like she could see into my soul, and I blushed. Not cool.

Continue reading ‘The Purging’ for free here

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Jonathan Edwards shortlisted for the Gladstone’s Library Writers in Residence Award

We are delighted to hear that Seren poet Jonathan Edwards has made the shortlist for the prestigious Gladstone’s Library Writers in Residence award with his latest collection Gen, one of 12 titles to be selected from a pool of over 60 entries from all over the world.
Now in its ninth year, Gladstone’s Library’s Writers in Residence programme was set up to support contemporary novelists, poets, and publishing industries in the UK. With this in mind the shortlist includes titles from a range of genres including historical fiction, crime fiction, creative non-fiction, literary fiction, dystopian fiction and of course poetry.
The winners will be announced at the Gladfest 2019 launch on Friday, 6th September; and the programme will be officially launched on Monday, 25th November at the National Liberal Club in London when the winning authors will read from their work.
View the full shortlist here.
 
About the book:
Gen is Edwards’ second collection of poetry. His first, My Family and Other Superheroes won the Costa Poetry Award in 2014 with the judges saying it was “joyful and dynamic – a collection that’ll make you laugh and make you think”.
A book of lions and rock stars, street parties and servants, postmen and voices, Gen begins with an exploration of youth and young manhood as the author sets his own Valleys upbringing against the ‘50s youth of his parents and the experience of a range of pop culture icons, including Kurt Cobain and Harry Houdini. With his characteristic humour, warmth, formal range and swaggering music, it is a worthy follow-up to his popular and critically-lauded debut.
Praise for Jonathan Edwards and Gen:
“How fluently these poems capture the place and time we call now! This is an original voice that celebrates poetry’s essential quality: music. We can all learn as we rejoice in this collection.” – Gillian Clarke
 
Gen is available from the Seren website: £9.99

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Friday Poem – ‘Boom!’ by Carolyn Jess-Cooke

This week’s Friday Poem is ‘Boom!’ by Carolyn Jess-Cooke, the title poem from her collection of the same name, and appears in the anthology Writing Motherhood.

A celebration of parenthood, the poems chronicle all the ups and downs of raising a family, from the rapturous moments, such as ‘Wakening’ where the baby is observed: ‘the seedling eyes stirred by sunlight’. To the tragi-comic ‘Nights’ full of ‘small elbows in the face’ and ‘assailed by colds and colic’ and the darker fears and depressions that can afflict parents.

As we comtemplate the feelings of wonder and love evoked by ‘Boom!’ We dedicate the weekly poem to Seren poets who have recently become new mothers: Kim Moore (May 24th) and Emily Blewitt (May 31st).

 

 

BOOM! is available from the Seren website: £9.99

Writing Motherhood is available on the Seren website: £12.99

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‘A Simple Scale’ by David Llewellyn longlisted for the Polari Book Prize 2019

Update: A Simple Scale is also amongst the 6 names shortlisted for the prize! Read more here.
Publisher Mick Felton said: ‘We’re absolutely delighted that A Simple Scale has been shortlisted. It’s his best book yet, a page turning story of sensitivity and drama.’
 
At an event held at the Southbank Centre on the 10th of June, the longlists for the 2019 Polari Prizes were announced and Seren author David Llewelyn is amongst the names in contention for the new Polari Book Prize with his novel A Simple Scale.  
Now in its ninth year, the Polari Prize is a celebration of literature that gives a voice to the LGBT+ community whether it be a title written by an LGBT+ author or one exploring LGBT+ themes. 2019 is the first year they have run a prize focusing on the work of established authors alongside their First Book Prize and together with Llewellyn, the list for the new Polari Book Prize includes the likes of Sarah Moss, Patrick Gale and Andrew McMillan.
Announcing the names of the 24 writers in contention for this year’s awards, Paul Burston, author, award founder and chair of the judges said: “The books on this year’s longlists celebrate LGBT lives in their many varieties. At a time when reactionary forces are on the rise and political battles won many years ago are being fought all over again, books that tell the truth about who we really are serve a powerful purpose. Stories about trans lives and gender identities feature heavily. There are also books about the changing landscape of our collective experiences, from gay shame to equal marriage. Together these longlists represent the very best in emerging and established LGBT literary talent today.”
The shortlists will be announced on July 26th at a special Polari Literary Salon also held at the Southbank Centre with the winners being announced at the London Literature Festival in October.
View the full longlists here.
 
About the Book:
In A Simple Scale, a piece of music starts a story that will range across Soviet Russia, McCarthyite Hollywood and post-9/11 New York, as the mystery of the lives of two gay composers is uncovered. David Llewellyn explores the points at which the personal and the political meet as narratives of love, death, deceit, the CIA, atomic bombs and classical music unfold.
A Simple Scale is available from the Seren website: £9.99

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Friday Poem – ‘The Glass King of France’ by Sheenagh Pugh

Our Friday Poem this week is ‘The Glass King of France’ by Sheenagh Pugh, from her latest collection Afternoons Go Nowhere.

A fascination for history, both as a source of human drama and a field for artful speculation, characterises this collection of poems by Sheenagh Pugh. In Afternoons Go Nowhere the past seems more relevant to the present than ever, human nature never entirely predictable and often non-sensical, the natural world seeming full of a paradoxical beauty. Complex but with clear themes and lucid, musical language, Sheenagh Pugh’s tenth collection will delight discriminating readers.

Afternoons Go Nowhere is available from the Seren website: £9.99

Sheenagh also features in our Poems from Cardiff pamphlet available on the Seren website: £5.00

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