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Friday Poem – ‘From the Cockpit Window’ by Anne-Marie Fyfe

This week’s Friday Poem is ‘From the Cockpit Window’ by Anne-Marie Fyfe from her collection House of Small Absences.

This cover shows a painting of a girl carrying a dolls house, standing in the garden of big house. The text reads: House of Small Absences, Anne-Marie Fyfe

Anne-Marie Fyfe’s poems have long dwelt on the role that the spaces we inhabit, the places in which we find security, play in our lives: House of Small Absences is an observation window into strange, unsettling spaces—a deserted stage-set, our own personalised ‘museum’, a Piedmont albergo, underground cities, Midtown roof-gardens, convent orchards, houseboats, a foldaway circus, a Romanian sleeper-carriage—the familiar rendered uncanny through the distorting lenses of distance and life’s exigencies, its inevitable lettings-go…

From the Cockpit Window
Here, above,
cracks in the buildings are filled with battered moonlight.
– Elizabeth Bishop, The Man-Moth
The full moon is being held hostage
tonight. A two-hundred-&-seventy degree vista
and all I make out are roof-garden umbrellas,
latticed fire escapes, jungles of wisteria
straggling around water-tower struts.
Uplighters cast panther shadows
and Egyptian columns against the cloudswirl
that drapes the Chrysler pinnacle.
There’s a low-altitude nosedive, a rattle
of applause on the wing. Our world
is hurtling towards sudden resolution.
Tumbling zeros play needle roulette,
the spirit bubble’s way out of kilter.
Close enough now to smell garbage scows,
charred pretzels, onions, to hear
taxis honking, meters ticking,
the steam whoosh of airshafts.
On my tongue there’s the after-taste of metal fatigue.
Who’ll answer my entryphone? How long
before they empty the closet of shirts
and jackets, their sleeves hanging aimless.

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Friday Poem – ‘What the Dead Don’t Know’, Anne-Marie Fyfe

Friday Poem What the Dead Don't Know Anne-Marie Fyfe

Our Friday Poem this week is taken from Anne-Marie Fyfe’s latest collection, House of Small Absences.

House of small absencesAnne-Marie Fyfe’s poems have long dwelt on the role that the spaces we inhabit, the places in which we find security, play in our lives: House of Small Absences is an observation window into strange, unsettling spaces—a deserted stage-set, our own personalised ‘museum’, a Piedmont albergo, underground cities, Midtown roof-gardens, convent orchards, houseboats, a foldaway circus, a Romanian sleeper-carriage—the familiar rendered uncanny through the distorting lenses of distance and life’s exigencies, its inevitable lettings-go…


What the Dead Don’t Know

Grows quickly, daily, from the perimeter
of a postage stamp, until it’s twice the size
of Norway, and growing fast.

What the deceased can’t understand
is why they don’t still hear from us
day-by-day, hour-by-hour.

What the departed don’t see
is how the lead story has moved on.

What the dead won’t say
is more or less what they didn’t say
when they had the chance. Diplomacy,
tact, reserve: these things endure.

 

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Friday Poem – Street Scene

house of small absences

Today’s poem is from Anne-Marie Fyfe’s latest collection, House of Small Absences, due for release this month.

Anne-Marie Fyfe’s poems have long dwelt on the role that the spaces we inhabit, the places in which we find security, play in our lives: House of Small Absences is an observation window into strange, unsettling spaces—a deserted stage-set, our own personalised ‘museum’, a Piedmont albergo, underground cities, Midtown roof-gardens, convent orchards, houseboats, a foldaway circus, a Romanian sleeper-carriage—the familiar rendered uncanny through the distorting lenses of distance and life’s exigencies, its inevitable lettings-go…

Street Scene

‘Nowhere’ is a setting, a situation and a state of mind.
It’s not on any map, but you know it when you’re there.
– Don George, Tales from Nowhere

When you turn your back on the street
and walk away one block, then two,
the over-familiar street-view’s exposed
as propped-up storefronts and verandahs,
sceneries of wings and facades
that could shudder and collapse
in the whish of the tenderest summer breeze.

The scene’s drained first of Technicolor
and then slips slowly out of focus,
passers-by strutting staccato
into the maze of tram-line junctions
that never make it into town’s gazetteer.

Each new city block takes you further
from the grip of a reality that’s already
packing-up shop behind you, shipping
for storage or the next production.
You’d do best to maintain a brisk walking pace.

Pre-order a copy of House of Small Absences from our website.