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xx women’s writing festival back for it’s second year

The xx women’s writing festival is back, following a hugely successful début year.

Seren authors will feature strongly at the second-ever xx women’s writing festival at Chapter Arts Centre between 6-8th March.

Tiffany Murray will talk about her forthcoming novel, the ghost story, Sugar Hall at the xx literary salon on Friday March 7th. Also at the salon is debut Rhondda writer Rhian Elizabeth, whose novel about two girls growing up in Tonypandy, Six Pounds Eight Ounces,  is published in April.

Saturday 8th March, sees a session on fiction and memoir inspired by life abroad and featuring new Seren writer Karen Fielding, whose debut novel American Sycamore comes out next month.

Kathryn Simmonds, Rhian Edwards, Zillah Bethell and Francesca Rhydderch will also be there, alongside AL Kennedy, Melissa Benn and Lennie Goodings of Virago. Painter Shani Rhys James whose book Florilingua, featuring poetry and paintings, has just been published, will also be at the festival as well as new Poetry Wales editor, Nia Davies.

The festival aims to highlight women authors from Wales and the world.

“While women authors are hugely influential in the literary world, books by women are still reviewed less than books by men, and women do less reviewing,” said Susie Wild, one of four organisers of xx. “Rather than just complain, we decided to bring more attention to the excellent writing by women that is out there and encourage men and women to come and hear these writers at xx.”

A full line up can be viewed at xxwales.wordpress.com, or you can follow xx on Twitter for updates @xx Wales. Tickets are available from the Chapter Arts box office.

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xx womens writing festival back for its second year

 
The xx women’s writing festival is back, following a hugely successful début year.
Seren authors will feature strongly at the second-ever xx women’s writing festival at Chapter Arts Centre between 6-8th March.
Tiffany Murray will talk about her forthcoming novel, the ghost story, Sugar Hall at the xx literary salon on Friday March 7th. Also at the salon is debut Rhondda writer Rhian Elizabeth, whose novel about two girls growing up in Tonypandy, Six Pounds Eight Ounces,  is published in April.
Saturday 8th March, sees a session on fiction and memoir inspired by life abroad and featuring new Seren writer Karen Fielding, whose debut novel American Sycamore comes out next month.
Kathryn Simmonds, Rhian Edwards, Zillah Bethell and Francesca Rhydderch will also be there, alongside AL Kennedy, Melissa Benn and Lennie Goodings of Virago. Painter Shani Rhys James whose book Florilingua, featuring poetry and paintings, has just been published, will also be at the festival as well as new Poetry Wales editor, Nia Davies.
The festival aims to highlight women authors from Wales and the world.
“While women authors are hugely influential in the literary world, books by women are still reviewed less than books by men, and women do less reviewing,” said Susie Wild, one of four organisers of xx. “Rather than just complain, we decided to bring more attention to the excellent writing by women that is out there and encourage men and women to come and hear these writers at xx.”
A full line up can be viewed at xxwales.wordpress.com, or you can follow xx on Twitter for updates @xx Wales. Tickets are available from the Chapter Arts box office.

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Zoe Skoulding Shortlisted for the Ted Hughes Award for New Work

Zoe Skoulding’s latest collection The Museum of Disappearing Sounds has been shortlisted for the Ted Hughes Award for new work.

The award breaks away from traditional poetry prizes by recognizing that poetry is not just found in books but is all around, on the stage, on the radio, on film and TV, in art galleries and around us in the built environment.

Judges Denise Riley, Sean Borodale and Eileen Cooper considered work in a wide variety of forms for the award – from radio-plays and installations to books and sound works. The winner of the £5000 prize will be announced at an awards ceremony on 28th March at the Saville Club in London.

You can get your copy of The Museum of Disappearing Sounds here.

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Zoe Skoulding Shortlisted for the Ted Hughes Award for New Work

Zoe Skoulding’s latest collection The Museum of Disappearing Sounds has been shortlisted for the Ted Hughes Award for new work.
The award breaks away from traditional poetry prizes by recognizing that poetry is not just found in books but is all around, on the stage, on the radio, on film and TV, in art galleries and around us in the built environment.
Judges Denise Riley, Sean Borodale and Eileen Cooper considered work in a wide variety of forms for the award – from radio-plays and installations to books and sound works. The winner of the £5000 prize will be announced at an awards ceremony on 28th March at the Saville Club in London.
You can get your copy of The Museum of Disappearing Sounds here.

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St David’s Day Deals

 

All titles in our Mabinogion series are just £5 this weekend in honour of St David’s Day. Get the full Box set for £60 or an exclusive limited edition signed box set for just £80. (Feb 28th – March 2nd)
Over the past 5 years, Seren have commissioned 10 top authors to re-write the ancient stories of the Mabinogion as modern day tales. We have reached the orbit of Mars, the Tower of London and the edges of India, travelled in time to WW2 and forward to the near future, seen Iraq in drug-addled dreams, and viewed Wales aslant, from its countryside to its council estates. We have touched on nation-building and personal tragedy, bravery and betrayal.
 
Titles in the Series Include:
 
White Ravens – Owen Sheers
After being wounded in Italy, Matthew O’Connell is seeing out WWII in an obscure government department spreading rumours and myths to the enemy. But when he’s given the bizarre task of escorting a box containing six raven chicks from a remote hill farm to the Tower of London, he becomes part of a story over which he seems to have no control.
 
The Ninth Wave – Russell Celyn Jones
Pwyll, a young Welsh ruler in a post-oil world, finds his inherited status and military obligations hard to take. Not only this but he’s never quite sure how he’s drawn into murdering his future wife’s fiancé, losing his only son and switching beds with the king of the underworld… In this bizarrely upside-down, medieval world of the near future, life is cheap and the surf is amazing; but you need a horse to get home again down the M4.
 
The Meat Tree – Gwyneth Lewis
A dangerous tale of desire, DNA, incest and flowers plays out within the wreckage of an ancient spaceship in The Meat Tree:  An elderly investigator and his female apprentice hope to extract the fate of the ship’s crew from its antiquated virtual reality game system, but their empirical approach falters as the story tangles with their own imagination. By imposing a distance of another 200 years and millions of light years between the reader and the medieval myth, Gwyneth Lewis brings this tale of a woman made of flowers closer than ever before, perhaps uncomfortably so. After all, what man can imagine how sap burns in the veins of a woman?
 
The Dreams of Max & Ronnie – Niall Griffiths
Iraq-bound squaddie Ronnie takes something dodgy and falls asleep for three nights and has the strangest of dreams. He watches the tattoed tribes of modern Britain assemble to speak with a grinning man playing war games. Meanwhile Cardiff gangsta Max is fed up with life in his favourite nightclub, Rome, and chases a vision of the perfect woman to far flung parts of his country. 
 
The White Trail – Fflur Dafydd
Life is tough for Cilydd, after his wife Goleuddydd, who is nine months pregnant, seems to vanish into thin air at a supermarket one wintry afternoon. Cilydd gets his cousin, Arthur – a private eye who has never solved a single case – to help him with the investigation. So begins a tale of intrigue and confusion that ends with a wild boar chase and a dangerous journey to the House of the Missing. 
 
The Princes Pen – Horatio Clare
The Invaders’ drones hear everything and see all. England is now a defeated archipelago but somewhere in the higher ground to the far west, insurrection is brewing. The self-styled kings of Wales, Ludo and Levello, take prisoners, but can they free the British Isles without the help of Islamic princess Shakira and the power of Pakistan, the only other country remaining in the free world?
 
See How They Run – Lloyd Jones
 
Small-minded academic Dr Llwyd McNamara has a grant to research Wales’ biggest hero, rugby star Dylan Manawydan Jones – Big M. But as the doctor plays with USB sticks in his office, the gods have other plans… Llwyd discovers a link between Big M and his own life, in the shape of the luxurious but strange Hotel Corvo on the west Wales coast. But from here things only get stranger. Are claims to a link between Big M and the Celtic myths of the past just a load of academic waffle… and what is the significance of the mouse tattoo?
 
Bird, Blood, Snow – Cynan Jones
Hoping to give him a better start, Peredur’s mother takes him from the estates in the hope he won’t suffer the same fate as his father and brothers, allof whom are dead, jailed or missing. But the world won’t be held at bay. When local kids cycle into his life Peredur heads after them, accompanied by the notion of finding Arthur – an absent, imaginary guardian. Used to making up his own worlds, he’s something of a joke. Until he seriously maims one of the older kids. And that’s when the trouble starts. 
 
The Tip of My Tongue – Trezza Azzopardi
When her mother dies, little Enid has to go to stay with posh relations the Erbins. Her father is struggling to cope, and Enid finds herself having to rely on her native wit and mother’s advice to survive Uncle Horace, Aunty Celia and above all their teenage son Geraint
 
Fountainville – Tishani Doshi
Fountainville is a strange, lonely town on the edge of everywhere, with its own healing secrets, as revealed by Luna, assistant to Begum, the Lady of the Fountain. Under their care the town flourishes, but when the mysterious Mr Knight arrives at their house of 24 women, everything begins to change. Aided by Rafi, the giant of the woods and the all-action Leo, events begin to unravel fast for Luna and Begum.
 
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Simon Mundy in Chile

More For Helen of Troy author, Simon Mundy tells us about his recent trip to Chile.

It is forty years since Pablo Neruda died, some say was killed, shortly after a vicious military dictatorship seized power in Chile, a country which had prided itself for over 150 years on its democratic traditions. It is eighty years since my father, at the age of fourteen and orphaned, walked down to the docks in the port of Valparaiso and signed on to a merchant ship as a cabin boy, never to return to the country or the city that his family had regarded as home since the 1840s. That family were Urquhart highland Scots on his mother’s side and Wiltshire yeomen on his father’s, come to Chile to escape the agricultural slumps and clearances at home and to victual the ships to and from California as the gold rush years demanded goods before railways or the Panama canal.

This January, in my 60th year, I made the journey there for the first time. The excuse was the World Cultural Summit held in Santiago, the meeting of culture ministries, arts councils (including Wales’s) and non-governmental organisations, which meant that my day job at Creative Guild could justify the journey. That was only for a few days, however, and I had five to travel across to Valparaiso. I took an apartment high on the hills overlooking the city and the bay – very similar to Neruda’s view from the eyrie that was his study a little further north along the same road.
Chile’s navy rested benignly now in the harbour. Container and cruise ships, not the coastal steamers and China seas tramps my father knew, put in and out – rarely berthing for more than half a day. There would not be time now for proper shore leave nor a rest in the seamen’s mission where my aunts worked when they were young.

These days Valparaiso is an odd mixture of being the largest port on South America’s Pacific coast and a backpacker’s paradise. There seem to be no hotels to speak of (unlike in bustling international Santiago)but an endless supply of hostels. The city perches its rickety buildings on a cluster of hills that seem ready to tumble every structure down the sea. You feel the slightest shrug of the Andes would demolish the lot.

The older buildings, from the nineteenth and early twentieth centuries, are mostly facaded with corrugated iron, wriggly tin sheeting liberally (and seemingly legally) graffitied in a happy profusion of bright and pastel colours. Behind these unprepossessing walls stylish modern Chile is waking up. The ramshackle shanties, linked with hundred year old funiculars, are interspersed with a cluster of cafés and restaurants good enough to grace Barcelona.

For three mornings I sat on my balcony overlooking it all and wrote poems as the sea mist dispersed and the heat of the day edged its way towards thirty degrees. The city my father had run away from was welcoming me home. It was good to find that the Valparaiso  empanadas, the pasties that are the staple lunch of the Pacific, as they are of Cornwall, are just as my father remembered when he made them for me when I was young: sliced boiled egg at one end, meat and onions with a couple of grapes to sweeten in the middle, some potato and olives in the gravy at the other end.

The Chilean welcome continued when I returned to Santiago. There are not too many poets from Britain, let alone Wales, with a century and three-quarters of Chilean connection. The National Library – one of the country’s most enduring institutions, having celebrated its bicentenary last year – heard about me and ran me through a search engine. The result was a tour of the library’s treasures and its wonderful writers’ room, replete with the manuscripts and signed books of Chile’s finest. It was very much an honour to contribute my Seren book, More For Helen Of Troy, and one of my novels to the shelves, as well as the first print-out of the poems I’d written in Valparaiso. Best of all, though, was the chance to look at an early poem of Neruda’s, sloping down the page in 1920 to fit on the paper, too narrow to contain that young poet’s exuberant lines.

Because of the Patagonia connection it is more usual for writers from Wales to head to the Argentinian side of the mountains. Peru is more fashionable with young people on their gap year or looking to help with development, Colombia with those looking for jungle and pretty coast. I’ll raise a cheer for Chile, though: the wine of course but also the hint of sophistication, its ragged hills and shaggy coastline with the Andes never more than a couple of hours drive from the sea.

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