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Friday Poem – Sound Archive

Sound Archive

This week’s poem is from Nerys Williams’ debut collection, Sound Archive, which won the 2012 DLR Strong Award.

Sound Archive is the strikingly original first collection of poems from Nerys Williams. Using formal strategies similar to modernist painting: abstraction, dislocation, surrealist juxtaposition, the poet conjures a complex music, intriguing narratives, and poems full of atmosphere that query identity, gender, and the dream of art as a vehicle for emotion and meaning. There is a playful lightness of touch and tone and for every serious inquisition like ‘An Anatomy of Arguments’ or ‘Conversations with Cocteau’, there is a poem that will muse on ‘Canter’s Starstruck Diner, L.A.’ or on the ‘artifacts’ left by Marilyn Monroe, in ‘Marilyn’s Auction House’. Williams confronts our preconceptions about what it might mean to be a woman writing against the background of two formidable traditions: that of Welsh-speaking Wales and of English literature. A thoughtful, subtle and fascinating first collection.

Sound Archive
for Cliff Anderson

It takes patience this piecing
of noise in an archive for voices.

Chronicled on my silver-silicon
a focus of of gravity gone, scene unset.

Tempos in the unthreading
of flight beating.

Misremembered movement
the voice still says:

Do not package me
as an afterthought or a bulletin.

Though I have never been to Spain
I understand attachment theory
and have been told of thanatology.

Raise your glass to this last flourish
as I switch from Andante to Largo

I toast Dubrovnik, Elvis and Chopin
free the slaves of my imagination.

I will wear boaters in the rain
and fill one room with flowers.

I will raise hell in remaining chapels
never searching for injunctions nor pardons.

I will be the sage on the hill
filling in for memorial towers.

I will finish that string quartet
begun at twenty-five.

I will flirt with the ladies at the till
and get my groceries free.

I will smoke over the baby grand
turning to my right for a tumbler of gin.

I will mark a map of all colours felt
frame them into a continent.

There will be methods to my madness
which I will name kinetic imbalance.

On this day
thought is blown over the wall
over trees to the road,

jazzed up and jiving
a bouquet of spectral dandelions
for you to hold.

Order Sound Archive from our website.

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What is Literary Fiction?

Our Marketing Assistant, Jess, has a little chat about the difference between literary and genre fiction.

Here at Seren we primarily publish literary fiction as opposed to genre fiction, and many a time I’ve been asked what the difference is. This is a fair question – I didn’t know the answer myself until I went to university!

The simple answer is that literary fiction is much more focused on the quality of the writing style – on the way the book is written – rather than on the plot and the way the plot satisfies a certain genre. Genre fiction is full of fast page-turners and plots that try to blow your socks off, whereas literary fiction tends to be a little slower, a little quieter, but no less enjoyable.

In the realms of literary fiction we’re more likely to regularly encounter characters who feel like people we might pass in the street, rather than characters who fit a mould; crime fiction is brimming with grumpy detectives, each with their own dark and dangerous past – even Sherlock Holmes isn’t squeaky clean! In literary fiction, on the other hand, we’re just as likely to encounter the next Patrick Bateman as we are the next Atticus Finch. 

Literary fiction isn’t ‘better’ than genre fiction in much the same way that genre fiction isn’t ‘better’ than literary fiction. There’s no need for competition here, because if you’re a reader – whether you read regularly or sit back with a handful of books each year – you’ll have already read both types of fiction, and chances are you’ll have liked and disliked books in both categories in equal measure.

So if literary fiction and genre fiction are equally valid, why is our focus on literary fiction?

First and foremost, it’s writing we want to promote and celebrate. We want a good story – of course we do! – but if we had to choose between an action-packed story written in a mediocre fashion or a subtle, stunningly written story, I’m sure you can guess which story we’d pick every time.

Not only that, but literary fiction gives us a lot of freedom. Something I’ve yet to mention is that literary fiction and genre fiction are not entirely separate from one another; it’s common for a book to be considered literary fiction while also fitting into a particular genre. That’s one of the reasons we love literary fiction so much!

Francesca Rhydderch’s award-winning debut The Rice Paper Diaries is literary fiction, but it’s historical fiction, too; Jo Mazelis’ prize-winning debut Significance is literary fiction, but it’s also a thriller; Tiffany Murray’s haunting Sugar Hall is literary fiction, but it’s also a ghost story. We are able to publish a wide variety of fiction by a plethora of authors, all because we love stories that are beautifully told.

That’s why we love literary fiction, and that’s why we publish it.

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Festivals Galore!

September has arrived, autumn is on its way, and so many of our authors are gearing up to participate in some exciting events all over the world through September and beyond!
In September alone Ivy Alvarez will be at the Brisbane Writers Festival, Kim Moore will be at the Carlisle Book Festival, and Jo Mazelis and Steve Adams will be at this year’s PENfro Book Festival. Rosie Shepperd will be running a poetry course with The Poetry School from September through to November, while Tony Curtis will be leading poetry walks through the National Trust’s Dyffryn Gardens as part of his residency.
For all of these events and more, check out our events page!