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Friday Poem – Goodbye

Today it’s the 70th anniversary of VE Day, marking 70 years since the end of the Second World War in Europe, and so today’s poem comes from Alun Lewis’s Collected Poems.

Alun Lewis (1915-1944), the remarkable poet and story writer, died, aged 28, in Burma during the Second World War. Some critics see him as the last of the great Romantic poets, a twentieth century Keats. Others view him as the bridge between pre-war poets like Auden and Yeats to post-war poets such as Hughes and Gunn. He was born and raised in Depression-struck south Wales and, following degrees in history at Aberystwyth and Manchester, became a teacher there. Early in 1940, despite his pacifist inclinations he enlisted and, after long periods of training, joined the war in India.

Becoming a soldier galvanised Lewis’s writing. By 1944 he had written two collections of poems and one of short stories, all published to considerable acclaim. Firmly established with Keith Douglas as the leading writer of the Second World War, Lewis’s death in an accident while on active service was a huge loss to English literature. Collected Poems comprises a body of work which has endured and which transcends the label ‘war poetry’; it is complete in itself and full of promise of greater things.

Goodbye

So we must say Goodbye, my darling,
And go, as lovers go, for ever;
Tonight remains, to pack and fix on labels
And make an end of lying down together.

I put a final shilling in the gas,
And watch you slip your dress below your knees
And lie so still I hear your rustling comb
Modulate the autumn in the trees.

And all the countless things I shall remember
Lay mummy-cloths of silence round my head;
I fill the carafe with a drink of water;
You say ‘We paid a guinea for this bed,’

And then, ‘We’ll leave some gas, a little warmth
For the next resident, and these dry flowers,’
And turn your face away, afraid to speak
The big word, that Eternity is ours.

Your kisses close my eyes and yet you stare
As though god struck a child with nameless fears;
Perhaps the water glitters and discloses
Time’s chalice and its limpid useless tears.

Everything we renounce except our selves;
Selfishness is the last of all to go;
Our sighs are exhalations of the earth,
Our footprints leave a track across the snow.

We made the universe to be our home,
Our nostrils took the wind to be our breath,
Our hearts are massive towers of delight,
We stride across the seven seas of death.

Yet when all’s done you’ll keep the emerald
I placed upon your finger in the street;
And I will keep the patches that you sewed
On my old battledress tonight, my sweet.

Order Alun Lewis: Collected Poems from our website.

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Dear Mr Gove

The Art of Falling Kim Moore

A special political poetry broadcast from Kim Moore’s The Art of Falling. Don’t forget to vote in today’s general election. You can listen to Kim read Dear Mr Gove here.

Dear Mr Gove

dear Mr Gove today I taught the children not to sit like bags of small
potatoes in their chairs I taught them how to breathe with their bellies
like babies do when they are sleeping we pretended we were balloons
of different colours filling up with air dear Mr Gove we played long note
beat that we looked up who holds the world record for the longest note
it was a clarinet player who managed to play for one minute and thir–
teen seconds without taking a breath we held our notes as if we were
monks singing a drone in a cathedral where the roof rises like a giant
wing against the sky dear Mr Gove today the whole class played hot
cross buns we talked about the great height of the note E we held thin
blue straws between our lips and some of us went on to play an E
and some of us fell towards a low A with its ledger line hovering above
it and another piercing its poor head dear Mr Gove we are brilliant at
trying some of us know what crotchets and minims are and we will
know this all our lives but some of us still call them black and white
notes we make up sayings to help us read like Elephants Go Bananas
Doing Flips like Electric Green Brains Dance Forever we play the riff
to Eye of the Tiger and sing along in the voices of tigers if tigers had
voices like ours today Mrs Johnson forgot how to play a D and Harry
told her which valves to press I do not know how to measure this Mr
Gove please send help and there is also the problem of Matthew who
cannot read or write too well but who can play Mary Had A Little
Lamb with perfect pitch there is the problem of his smile afterwards
and how we write this down today we watched the muppets singing
Bohemian Rhapsody for no good reason other than that it was fun and
while I am confessing small transgressions last week we watched Mr
Bean play an invisible drum kit the children have been playing an invis–
ible drum kit in the playground dear Mr Gove I did not stop them
today we talked about the muscles in the lip and tongue we did not
know we had control of so many muscles we tried to look like musi–
cians Mr Gove please help us

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Friday Poem – Street Scene

house of small absences

Today’s poem is from Anne-Marie Fyfe’s latest collection, House of Small Absences, due for release this month.

Anne-Marie Fyfe’s poems have long dwelt on the role that the spaces we inhabit, the places in which we find security, play in our lives: House of Small Absences is an observation window into strange, unsettling spaces—a deserted stage-set, our own personalised ‘museum’, a Piedmont albergo, underground cities, Midtown roof-gardens, convent orchards, houseboats, a foldaway circus, a Romanian sleeper-carriage—the familiar rendered uncanny through the distorting lenses of distance and life’s exigencies, its inevitable lettings-go…

Street Scene

‘Nowhere’ is a setting, a situation and a state of mind.
It’s not on any map, but you know it when you’re there.
– Don George, Tales from Nowhere

When you turn your back on the street
and walk away one block, then two,
the over-familiar street-view’s exposed
as propped-up storefronts and verandahs,
sceneries of wings and facades
that could shudder and collapse
in the whish of the tenderest summer breeze.

The scene’s drained first of Technicolor
and then slips slowly out of focus,
passers-by strutting staccato
into the maze of tram-line junctions
that never make it into town’s gazetteer.

Each new city block takes you further
from the grip of a reality that’s already
packing-up shop behind you, shipping
for storage or the next production.
You’d do best to maintain a brisk walking pace.

Pre-order a copy of House of Small Absences from our website.