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Three Poems for World Poetry Day

In celebration of World Poetry Day, we are featuring three poems by Seren poets, which you can read below.

Coinciding with the start of Spring, World Poetry Day is the perfect opportunity for us to brighten up your week with some of our favourite poems. It has been dreadfully difficult to narrow it down, but we hope you enjoy our selections: poems from Kim Moore, Paul Henry, and Rhian Edwards.

 

 

The Art of Falling Kim MooreKim Moore: ‘And the Soul’
Taken from Kim Moore’s outstanding debut, The Art of Falling – which was shortlisted for the Cumbria/Lakeland Book of the Year – ‘And the Soul’ considers the animalistic nature of the soul, be it domestic (‘And if it be a cat, find some people/ to ignore’) or primal.

 

And the Soul
And the soul, if she is to know
herself, must look into the soul…
– Plato

And the soul, if she is to know herself
must look into the soul and find
what kind of beast is hiding.

And if it be a horse, open up the gate
and let it run. And if it be a rabbit
give it sand dunes to disappear in.

And if it be a swan, create a mirror image,
give it water. And if it be a badger
grow a sloping woodland in your heart.

And if it be a tick, let the blood flow
until it’s sated. And if it be a fish
there must be a river and a mountain.

And if it be a cat, find some people
to ignore, but if it be a wolf,
you’ll know from its restless way

of moving, if it be a wolf,
throw back your head
and let it howl.

 

 

Boy Running, Paul Henry

Paul Henry: ‘Moving In’
This poem is taken from Boy Running, Paul Henry’s latest collection, which reached the shortlist for the Wales Book of the Year Poetry Award (2016). Paul is currently touring with Stornoway singer-songwriter Brian Briggs as they perform their collaborative work, The Glass Aisle – a haunting piece which crosses the borders between poem and song lyric. Find the full list of events here.

 

Moving In
I cannot see the flowers at my feet…
Keats – ‘Ode to a Nightingale.’

They look and wonder what they’re doing here,
those who’ve moved with me across the years –
Dylan Thomas, Picasso, Nightingale Ann,
Goble, David Trevorrow, young Fanny Brawne…
all strewn about this flat where I hide.
(Did I dream, last night, of a tide
laying its artefacts on sand?) They stare
but do not judge, or change, or care.

Dylan’s just opened Manhattan’s cigar box.
‘Try one,’ he says, ‘before you die. Fuck books.’
Pablo’s still pushing against his pane.
He listens for a nightingale in vain.
Goble tilts back in his top hat.
He and Trevorrow could not have shared a flat
but I loved them both, and Fanny Brawne.
There are crows on my roof. The light has gone.

 

 

Rhian Edwards: ‘The Universal Doodle’
Taken from Rhian Edwards’ new poetry pamphlet, Brood, ‘The Universal Doodle’ carries on the pamphlet’s ever-present theme of birds by musing on the appearance of a murmuration cloud of starlings. Keep an eye on our website, as numerous launch events are on the horizon – and we would love for you to celebrate with us.

 

The Universal Doodle

A scattering corralled, lassoed
into the universal doodle of birds.
A mutable speech bubble

of pondering ‘m’s. This is the bombast
of starlings as they corkscrew the sky.
Each twist and fold is summarised

to a simile like iron filings,
flocked and flung across the sky
by the metaphorical whims of a magnet.

Can you hear the pathetic fallacy?
The siren song of a metal’s hum
crooning behind clouds, a bit like a God.

 

 

We hope you enjoyed our World Poetry Day selection. If it has inspired you to expand your poetry collection, then you can find our full list of Seren poetry books here.

 

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Friday Poem – ‘Outcast Hours’, Rhian Edwards

Clueless Dogs Rhian Edwards

This week our Friday Poem is taken from Rhian Edwards’ dark and sensual debut collection Clueless Dogs.

Winner of Wales Book of the Year 2013
Winner of the Roland Mathias Prize for Poetry 2013
Winner of Wales Book of the Year People’s Choice 2013
Shortlisted for the Forward Prize for Best First Collection 2012

clueless_dogs72Full of verve and humour, with a spiky syntax featuring hard-edged consonants, Rhian Edwards’ language has a winning honesty and intensity. Poems like ‘The Welshman Who Couldn’t Sing’ chronicle a fraught childhood in Bridgend, south Wales, where the sensitive child escapes through imaginative games of ‘Playing Dead’ and ‘Broken Lifeboat’. Later poems confidently explore teenage lusts, student rivalries, damaged peers and tense situations. Although the author doesn’t flinch from ruthless depictions in which we are often implicated by her use of the second person ‘You’, there is an underlying sweetness, an elegiac thread most evident in the poems of maturity.

Outcast Hours

White light weighs heavy, bullying
bright as squash courts. I fix a dirty look
on the electric clock. The walled
minutes stagger their blinks.

Wheel-footed suitcases scurry
about me like clueless dogs,
flip flops tick-tock
on the polished rink of the concourse.

One girl’s patience is vivid,
measured by the careful brush strokes
of plum on her toenails,
the soft turning of pages.

Her boyfriend hibernates,
his legs stretched out before him.
Ankles crossed, he wags his foot
conducting his concert of sleep.

A ponytailed mother raises
an eye for her wandering son.
Shc scoops him up and breathes in his scalp
in chase of a smell that is running away from her.

The antique couple are butchering time.
Their teeth tear through baguettes
raining faded confetti
onto their open laps.

Shy of games and companions, fidgeting
in plastic-boned chairs, we comb the air
for that splintered voice,
dictating when our sky will ship us.

 

Buy your copy of Clueless Dogs now: £8.99

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Friday Poem – Skeeter Syndrome

Clueless Dogs Rhian Edwards

For our Friday Poem this week we have ‘Skeeter Syndrome’ from Rhian Edwards’ dark and sensual debut collection Clueless Dogs.

Winner of Wales Book of the Year 2013
Winner of the Roland Mathias Prize for Poetry 2013
Winner of Wales Book of the Year People’s Choice 2013
Shortlisted for the Forward Prize for Best First Collection 2012

Full of verve and humour, with a spiky syntax featuring hard-edged consonants, Rhian Edwards’ language has a winning honesty and intensity. Poems like ‘The Welshman Who Couldn’t Sing’ chronicle a fraught childhood in Bridgend, south Wales, where the sensitive child escapes through imaginative games of ‘Playing Dead’ and ‘Broken Lifeboat’. Later poems confidently explore teenage lusts, student rivalries, damaged peers and tense situations. Although the author doesn’t flinch from ruthless depictions in which we are often implicated by her use of the second person ‘You’, there is an underlying sweetness, an elegiac thread most evident in the poems of maturity.

Skeeter Syndrome

I felt a tickle to my ankle,
saw her, dithering in the air
light as dandelion snow,
a winged needle, a mother-to-be
clumsy with the harvest of my blood.

I caught her dancing on the wall,
crushed her with a single applaud.
I opened my hand to a mangle of limbs,
a patch of my own blood – the stigma
of killing something full of me.

Buy Clueless Dogs on our website.

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The Cardiff International Poetry Competition is open for submissions and Rhian’s a judge!

 

Wales Book of the Year winner, Rhian Edwards, will be judging this year’s Cardiff International Poetry Competition along side Samantha Wayne Rhydderch and Lemn Sissay.

The competition offers one of the largest monetary prizes for a poetry competition of its kind with a first prize of £5,000. The second placed entry will receive £500 and third £250. Five runners-up will receive £50 each. All entries to the competition will be judged anonymously, so this is a great opportunity to have your poetry judged on its own merits, whether you are first time poet or an experienced wordsmith.

Entries close on 14th March. For more information or to download an entry form 
visit the Literature Wales website.