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Friday Poem – ‘Roadkill Season’, Polly Atkin

Friday Poem Roadkill Season Polly Atkin

Our Friday Poem this week is ‘Roadkill Season’, from Polly Atkin’s recently released debut, Basic Nest Architecture.

Basic Nest Architecture Polly AtkinA meshing-together of beauty and gore, ‘Roadkill Season’ is almost ritualistic in its depiction of food preparation and feasting. Sweet and savage images clash: the brutal origin of the meal is not placed at a distance but embraced, an essential element in the pleasure gained.
Basic Nest Architecture is Polly Atkin’s first collection of poetry, and follows her Mslexia Prize-winning pamphlet, Shadow Dispatches, and her Michael Marks nominated Bone Song. The complex, intelligent, densely metaphorical lyrics for which she is known are often inspired by the beauties of the Lake District, her home for the last decade.

Join Polly Atkin at the Lancaster Literature Festival for the Basic Nest Architecture launch tomorrow, Saturday 25 March.

 

Roadkill Season

In Eighteenth-Century House it was roadkill
season. Pheasant, hooked out from under
the dented bumper, last breath condensed
in a plastic bag, matured for a week
in the stainless steel back sink, to build up
flavour. Beautiful dead! I never
saw a thing alive so lovely.
The basin, silvered like the lake in winter,
swirled with colour, like dead trees and diesel.
You stank like the kill itself, like the mulchy
scrub you stumbled out of, stupid
and gorgeous, in love with the tarmac. Poorman’s
Peacock. Dumb bundle of plumage and flesh.
Laura popped your cooling heart
in her gob like a sweet; burst it between
her sharpening teeth. Kate and Anna
carved your breast to split together.
Your meat was purple as the sky at dusk.
We each hooked a finger to halve your wish-bone,
squeezed our eyes closed, and heaved.
We gathered scraps. Kate buried the shell
to dig up and sculpt into artefact later.
We dried out your feet on radiators.
You clutched hot air as they hardened to stars
we bent into brooches, gifts for each other,
then salvaged the best of your wings and fine tail
and stitched new faces of your feathers.

 

 

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Friday Poem – Somnography

This week’s poem is from Polly Atkin’s Shadow Dispatches, which won Mslexia’s very first pamphlet competition in 2012.

These atmospheric and keenly observational poems offer us a slant perspective on everyday things and events: the ugliness of an elderly mute swan; or a group of migraine sufferers forming a fellowship and holding regular meetings. Poems addressing the complexity of contemporary relationships sit alongside those riffing on traditional themes, even – in the case of ‘Hermes Enodios’ and ‘Potnia Theron’ – revisiting classical gods. These are poems embedded in particular landscapes, in which the real becomes surreal and vice versa. Together they form a poetry which is deeply involved with the natural world – concerned with deer in fields and jays in woods – but which is not in any way removed, encompassing email, photoshop and fighter jets.

Somnography

Early this morning I got your note.
I can’t recall the words or meaning,

only the light oblique on the screen
and how it made it feel, certain

transmission was real. I could recite
all the messages received in my sleep

which days have tried to prove imagined,
and one correspondence aborted mid-sentence

which sent itself nevertheless, as though
the content refused erasure, arriving

complete through the ether. We dare not believe
these shadow dispatches: corrupted, wishful,

impossible to delete. The same way sheets
I never strung to dry at a window

still fill the room with sails long after
I’ve moved, and how I’m still reading a letter

a man never sent, though I could repeat it
verbatim, clear as the sun through the linen,

billowing yellow and sweet as the wedge
that lit your words I can’t remember,

or that email which backspaced even as I scrolled
down the face of the dream computer.

Order Shadow Dispatches from our website.