
This week’s Friday Poem is ‘The Calling Basket’ by Sarah Wimbush from her pamphlet Bloodlines which won the Mslexia/ PBS Women’s Poetry Pamphlet Prize 2019.
Bloodlines is an exploration of Sarah Wimbush’s own Gypsy/Traveller heritage, a journey made by piecing together fragments of distant stories and a scattered language. Along the way, we meet people who are ‘tethered to the seasons’; voices that reverberate with a sense of family and resilience, and always with that constant wonder of being part of something colourful, untamed and rare.
“A thrilling debut…” – Daljit Nagra

Bloodlines is available on the Seren website: £5.00
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The Mslexia Women’s Poetry Prizes are currently open for entries for 2020. Find out more on their website.
Sarah will be joining us for our Virtual First Thursday National Poetry Day Special next week (1 October) where she will be reading alongside Rhian Edwards and Marvin Thompson. Tickets are available at www.eventbrite.co.uk.
‘Late Afternoon by a Hedge’ by Sarah Wimbush, from Bloodlines







The shaking city of Australian poet Cath Drake’s debut poetry collection is a metaphor for the swiftly changing precarity of modern life within the looming climate and ecological emergency, and the unease of the narrator who is far from home. Tall tales combine with a conversational style, playful humour and a lyrical assurance. The poet works a wide set of diverse spells upon the reader through her adept use of tone, technique, plot and form. She is a welcome new voice for contemporary poetry.

Resonant, complex, rich in heft and texture, these are mature poems that grapple with serious themes. Beautifully crafted, and partly inspired by the poet’s love of the Brecon Beacons and Snowdonia, they address the natural world, its endangerment and other pressing global issues from multiple perspectives, and with great lyrical power.

A fascination for history, both as a source of human drama and a field for artful speculation, characterises this collection of poems by Sheenagh Pugh. In 




In 





In her second collection, 