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<p><em>North by South</em> offers a choice selection from John Davies’ substantial body of work. From the slate quarries of north Wales to the steelworks town of his youth in south Wales to the dirt roads of the American West, the poet’s travels through rough landscapes and his meetings with the characters who...
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<p>Robert Seatter’s debut collection is characterised by an open, highly personal tone; his style is fresh and uncluttered; his imagery charged and luminous. A love for Italy pervades the book, from a witty poem on an early language text, Living Italian (1955) to ’The Book of Milan’ series which concludes the...
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<p>"Poetry as white-knuckle ride" is how <em>Poetry Wales</em> described Sarah Corbett’s debut, <em>The Red Wardrobe</em>. Her eagerly-awaited second collection, <em>The Witch Bag</em>, is as powerful as its predecessor, and is sure to cement Corbett’s reputation as...
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<p>Vuyelwa Carlin has established a reputation as a highly distinctive stylist. Published internationally and instantly recognisable, her poems feature an intricate, mosaic-like technique.</p><p><em>Marble Sky</em>, her third collection, is in three varied sections. It opens with ’Bottles of Blood&rsquo...
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<p>In Paul Groves’s fourth book, which consolidates his reputation as one of the most able and consistent poets of his generation, we encounter such unlikely stablemates as Rudolf Hess, Virginia Woolf, Dylan Thomas, and Otto von Bismarck. It ends with ’The Orthodox Chapel of St. Dyfrig’, an anagrammatical tour...
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<p>Lying and truth-telling are a matter of choice; our innate capacity for mendacity is the source of all story-telling. The title poem poem sets the thematic tone for this collection which explores the interface between fiction and reality.</p><p>In 'Fanfic', Pugh travels into cyberspace where devoted fans...
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<p>Heaven’s Gate is the eighth collection for Seren by one of Wales’ best poets. Formally astute, subtle and persuasive in tone, evincing enviable clarity and insight, these poems address subject matter as diverse as forest fires in California, an eclipse recalled from childhood, and a World War One battlefield. Most...
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<p>A wry, singular wit, an astringent honesty, and a virtuoso use of traditional forms characterise Douglas Houston’s new book. At its (broken) heart is the not-uncommon crisis of the break-up of a marriage. Houston spins a sharp series of villanelles on the subject, at once poignant and merciless. This is poetry with an ironic...
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<p><em>Hummadruz</em> brings together Hilary Llewellyn-Williams’s first two collections, the long-absent <em>The Tree Calendar</em> (1987) and <em>Book of Shadows</em> (1990). The former includes her reputation-making title sequence of poems reflecting on the Celtic calendar, in which each month...
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<p>In <em>Food</em> the multi-talented and endlessly inventive Peter Finch keenly observes the dark forces that afflict us and then relentlessly skewers them with a quick wit, or twists form to give alternative versions, inflicting a random beauty on the stale or predictable.</p><p>He fearlessly lampoons the cliches...
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<p>Surviving a murder attempt generates the clarity, compression and pure celebratory drive of this book’s title sequence of fourteen syllabic sonnets. These form the spinal cord of the entire collection, from which nerve endings reach out into a dizzying range of poetic matter, while retaining the book’s essential...
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<p>Samantha Wynne Rhydderch's intense, uncompromising style recalls the confessional poets but her vivid narratives often conjure dark personas: men on the edge of breakdown or women in the midst of ecstasy.</p><p>The poet’s fascination with the ferocious and marginal lead her to daring risks with language. This...
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<p><em>The Bed of Memory</em> was shortlisted for the 2002 Arts Council of Wales Book of the Year Award. These poems are informed by layers of memory, but never weighed down by them.</p><p>Newcomers will appreciate the accessible style and the universal themes touched upon while even those familiar with her work will...
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<p>Playful, experimental, intense, ironic, these strikingly original poems by Don Rodgers are evidence of a passionate sensibility that delights in a vocabulary as sumptuous as the gardens he writes about. A cool honesty, quiet humour and a compassionate tenderness towards his subjects are hallmarks of his style.</p>
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<p>A sense of mystery and mortality infuses these beautiful poems by Ruth Bidgood. Her deep engagement with the landscape and history of her part of Wales is matched by a metaphysical questioning as to the purpose and meaning of experience.</p><p>The voices that she invokes are often the ’unremembered’ ones: a...
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<p>The poems in Wild Blue are the product of a restless and inventive intelligence. Capable of ruminating with grace and flair on such diverse personalities as Isaac Newton and Elvis Presley, Williams moves confidently between the metaphysical and the modern, combining a delight in abstract ideas with sensuous physicality. This new...
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<p><em>The Blue Book</em> is Owen Sheers' first poetry collection.</p><p>From recollections of a return to Fiji, to sharper memories of an adolescence in a rural town in Wales; from dark ruminations on farm life to tender and unconventional love poems. Owen Sheers has a talent for visual imagery, a flair for...
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<p>The fate of an Italian icon damaged by floods, a Victorian skeleton, and a Vampire Ballet are amongst the many unusual subjects of the poems in this collection by Catherine Fisher. Lyrical grace combined with a sharp eye for imagery and a precise use of language are her hallmarks. Her themes are history, religion, and distinctively for...
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<p>Paul Groves’s first volume confirms the promise which has marked him out as one of the most engaging poetic voices of recent years. Crystalline, deft, and exhilaratingly ironic, these poems deserve a wide audience. Those who are not already familiar with Paul Groves’s well-crafted verse will not be disappointed by this...
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<p>Sex and Death are the dominant themes of this provocative collection. With precise formal elegance and ironic flair Groves expertly dissects the angst of contemporary man. Groves’ territory is a no-man’s land between convention and perversion: a man is driven wild by a woman putting on her clothes; a woman tries to...
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<p>Ward’s poems have a bracing freshness. He is extremely aware of the basis of language, of the alphabet as an abstract, symbolic and sacred presence, and he is wary of pinning down experience with it. His poems are as carefully composed for sound as music; philosophically they are open and searching. Ward stands persona and...
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<p><em>Red Landscapes</em> collects together the two major strands of Mike Jenkins’ poetry: beautiful love lyrics to his wife and family, and the radical social and political poems which spring from his socialism. Although Jenkins has written some of the best love poems of recent decades he is best known for his biting...
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<p>The tightrope walker in the cover painting by Macke is symbolic of the author’s point of view in this collection of poems. It is a humorous acknowledgement of the precarious position of the artist in our times, and a hint at the poet’s predilection for balancing both personal and public concerns. The former are...
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<p>Sheenagh Pugh’s poems continue to entertain and delight her many admirers. In <em>Stonelight</em>, her ninth collection, the keynote is celebration.</p><p>The opening section includes a moving series called ’Arctic Chart’ which commemorates the various people (and one ship) who gave...
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