The Chicken Soup Murder
Shortlisted for the Rubery Book Award, Fiction Category 2018
‘This is a great story, told with sensitivity, and a first class eye for comedy. A memorable read.’ – Rubery Book Award
‘Handled with great sensitivity, this has great comedy, exciting developments and very moving moments, right through until the nicely worked solution to the mystery.’ – The Daily Mail
‘The Chicken Soup Murder is a thought provoking, yet gentle heartfelt hug of a tale, and a very lovely read indeed.’ – Love Reading
‘A thoroughly original, startling and very good novel indeed.’ - Fay Weldon
‘A beautifully written debut, with characters to fall in love with.’ – Danny Wallace
‘Fresh, suspenseful and tantalising’ – Christopher Meredith
‘A lovely, warm-hearted novel about love and grief.’ – Francesca Rhydderch
‘This novel shines in its warm-hearted treatment of grief, written with a light touch and with a deep understanding of what it means to lose someone.’ – Eluned Gramich, New Welsh Review
‘I was gripped until the very last sentence’ – Frost Magazine
‘Full of humour and written with a big heart’ – Tracy Baines
Maria Donovan’s debut novel, The Chicken Soup Murder, subverts the crime and murder mystery genres in a meditation on bereavement, friendship and the meaning of family. This emotionally involving coming-of-age narrative is told with resilience and humour by eleven-year-old Michael, a thoughtful boy who tests the boundaries of his own behaviour as he carries a burden of knowledge no one else seems willing to share.
Michael’s happy early life in a small seaside town – a cosy world of cricket and football, experiences shared with his best friend Janey and her family – is disrupted by the arrival of a bully, and blasted by visitations from Death: the biggest bully of them all. Within Michael’s own past are unanswered questions: why does he live with his grandmother? Are his parents really in prison? His magical creative thinking lands him in trouble: how reliable is his story and why is he the only one who thinks that a murder has been committed? What can he, a schoolboy about to turn twelve, do about it? Haunted by the injustice of a killing, he takes on the burden of trying to do the right thing: first helping the widowed mother of his best friend, and then seeking justice for a murdered woman, as he resorts to making trouble in order to get at the truth. As Michael struggles to help himself and the people he cares for to move on, he learns about the acceptance of the facts of natural death – whether unexpected or predictable, caused by illness or accident. He sees what happens to those left behind when a loved one dies and, above all, how to recognise and overcome the stumbling block formed by the deliberate taking of a life to those who are grieving.
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